Code 46 review

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It's another Michael Winterbottom film. While many whinge about the state of The Industry, the 43-year-old Brit is boshing out his 11th feature in nine years. Remarkable, even if his movies are fascinating rather than amazing, the seed of quality not given time to sprout. Not that his last few releases have felt rushed. In fact, the triumvirate of The Claim, 24 Hour Party People and In This World signal the emergence of an auteur to rival Leigh or Loach for consistency of vision, but with more range and ambition.

Code 46 typifies his intentions, blending romance and sci-fi with shadings of noir, painting a perceptive portrait of the near future. Without the techno-love gee-whizz factor of, say, Minority Report, 46 doesn't offer future shock so much as surprise, bringing our corporation-controlled, globalised existence to its logical conclusion.

A cerebral sci-fi drama where the romance is less involving than the ideas debated. Still, Winterbottom's winner is original and demanding.

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