Why you can trust GamesRadar+
Spicing up a bourgeois relationship drama with the promise of thrills, writer/director Philippe Claudel’s third film can’t decide whether it wants to be Hidden or Looking For Hortense .
Surgeon Daniel Auteuil and Kristin Scott Thomas seem comfortably married, until ex-patient Leïla Bekhti starts sending him roses. “They’re flowers, not death threats,” he tuts, intrigued, then in trouble.
Though there’s plenty of thoughtful meditation, there’s also the faint whiff of middle-aged wish fulfilment. The result is elegant if frosty, and just a touch too long in the tooth.
Matt Glasby is a freelance film and TV journalist. You can find his work on Total Film - in print and online - as well as at publications like the Radio Times, Channel 4, DVD REview, Flicks, GQ, Hotdog, Little White Lies, and SFX, among others. He is also the author of several novels, including The Book of Horror: The Anatomy of Fear in Film and Britpop Cinema: From Trainspotting To This Is England.
Forget the Dune popcorn bucket, Terrifier fans want to eat out of Art the Clown's head
Fallout New Vegas director doesn't "care" what the Fallout TV show does with the RPG's lore: "It was never mine"
Knuckles has 300 more VFX shots than the first Sonic movie: "It shouldn’t be looked at like it’s this extra thing we did on the side"