Turning Point: Fall of Liberty review

  • Interesting premise
  • Killing the president
  • Kicking a Nazi into the oven
  • Finicky controls ruin melee combat
  • Linear levels
  • Meager multiplayer

Turning Point: Fall of Liberty could've been great. Its promising premise supposes that without Winston Churchill around to rally the Allied forces, the Nazis quickly rolled over Europe before setting their sites on the shores of America. You find yourself in the middle of a German invasion on New York City and now the United States and your will to defend it are the only things left standing between Hitler and the universal popularity of the toothbrush mustache. Unfortunately, Turning Point wastes all its potential by offering you too little of everything and winds up feeling like the ultimate so-so shooter.

Right from the start, Turning Point fails to make you care about the main character. His name is Carson. He's a construction worker. And that's pretty much all you'll ever know about the mysterious man behind the rifle barrel floating on your screen. What's his story? Why is the US army giving a construction worker the most important missions of the resistance? Turning Point offers no explanation other than the fact that he's the main character. It's not the first game to feature a personality-less potato for a protagonist, but with so little character development, the game feels impersonal and fails to keep you feel motivated to move on.

The single player campaign only lasts about five or six hours and during that short time, you'll do all kinds of things that sound great – like defending a ragtag barricade against legions of troops and tanks and assassinating the traitorous US president who turned out to be a lapdog for the Nazis. But Turning Point's linear levels and finicky controls kill the potential for what could've been some really memorable moments and make playing the game a bore.

Early screenshots showing the Whitehouse draped in Nazi flags and the invasion of New York City had us hoping that Turning Point's alternate take on history would give us a good reason to pick up a gun and kill some bad guys. But when the time came, Turning Point offered nothing but more of what you've already seen. It’s hard to appreciate the fact that you’re launching an assault on the Whitehouse or that German tanks are rolling through the streets of New York City when the majority of your time is spent trudging through claustrophobic corridors and cramped alleyways as you press through the game’s linear levels.

It's also disappointing that one of the biggest challenges in this game is getting it to recognize that you're trying to perform an action anytime you come across a button that needs pushing or a lever that needs pulling to proceed. There were too many times when we found ourselves strafing back and forth in front of an elevator button just to get the damn thing moving.

But the real shame is that this problem also makes Turning Point's hand-to-hand combat too frustrating to enjoy. In theory, when you get close to an enemy you can either use them as a human shield or use the environment to kill them in clever ways. There are a few yucks to be had with this feature like when you kick a Nazi into an oven or the time when you give one a deadly swirly by drowning him in a toilet bowl. But because the game's so picky about recognizing when you're close enough for melee attack, you'll usually just wind up receiving a full clip of ammo to your face for your troubles.

Multiplayer doesn't make up for Turning Point's disappointing single player campaign either. The game's underwhelming selection of modes are limited to Deathmatch and Team Deathmatch. Good luck finding a game. Whether you're playing on LIVE, PSN or online on your PC, Turning Point's lobbies are pretty empty. Even if they were hopping with other players waiting to get it on, the game's sparse selection of utterly average maps and expected selection of machine guns and rifles won't rock your world.

Turning Point's minimalist approach to everything - from its stale levels and sticky controls to its thin plot and absent character development - killed what could've been a really unique and engaging shooter and will disappoint hardcore fans of the genre across the board.

Mar 24, 2008

More Info

Release date: Feb 27 2008 - PC, PS3, Xbox 360 (US)
Available Platforms: PC, PS3, Xbox 360
Genre: Shooter
Published by: Codemasters
Developed by: Spark Unlimited
ESRB Rating:
Teen: Language, Violence


  • EwoksTasteLikeChicken - July 4, 2011 7:43 p.m.

    I really love "what if" scenarios like this, too bad the game sucks
  • CreeplyTuna - September 25, 2009 2:24 a.m.

    tried the demo, when i got around to killin the nazis, it was so bad i quit
  • renjii117 - September 23, 2008 3:18 a.m.

    i had so many problems with this game, it had glitches that wouldnt let me pick up things i needed to continue the story, movements were a bit spotty, and everything else i could ignore, except after marathon gaming it, and i assume i was close to the ending i stopped, saved the game,came back the next day and learned that it wouldnt let me save

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