Right, we’re moving into spoiler territory here, so it’s your last chance to bail if you haven’t seen
The credits sequence has become a customary Bond, as much a part of the experience as the gun barrel standoff, the power tux, and the ‘Bond, James Bond’ introduction.
Quantum Of Solace
was a quantifiable disappointment, lacking many items from the Bond checklist, without being coherent enough to work as a standalone action thriller. Its credit sequence was poorly served by an odd song selection (not a terrible song per se, but not really Bond) and a lack of decent imagery to draw on.
With Adele’s single returning the franchise’s music to form, we had high hopes for an opening salvo to match, and we weren’t disappointed.
The familiar musical keys throb in the background, while Adele’s sizeable vocals hark back to the classic Bond tracks of yore. A contemporary update on a classic franchise staple, the song neatly encapsulates
’s modus operandi - giving Bond a service and tune-up, rather than a complete overhaul.
With Bond’s watery crash serving as the ideal intro to the subaquatic sequence, the imagery that’s thrown up - stags at Skyfall lodge, Chinese dragons, art deco skulls, flames, halls of mirrors, shadowy villains - hints heavily at plot turns, without actually spoiling anything for first timers.
And that bleeding Bond-shaped shooting-range target, it’s a very prescient recurring image. And it looks damn cool.
It’s telling that the sequence wraps up on a close-up of Bond’s ice-blue eye. Cold, yet seductive, this one’s going to dig deep.