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Viewed away from its snap dismissals at Cannes, the fourth film from Mexican experimenter Carlos Reygadas ( Silent Light ) resembles Uncle Boonmee seen through Tarkovsky’s Mirror ; tough to grasp but giddy with ideas and indelible images.
Pivoting on the traumas of a well-off rural family, the story is a simple one made abstract by Reygadas’ cut-up chronology, blurred edges and poetic juxtapositions (innocence/experience, reality/fantasy, past/future).
Some metaphors score and some miss, but this is leap-of-faith cinema: the rewards entail some risks.
Creature Commandos producer reveals which episode of the DC animated show is James Gunn's favorite – and it’s by far the most heartbreaking
Helldivers 2's director can't believe its music hasn't won more GOTY awards, but the shooter's composer is happy because he had almost quit games forever
Hideo Kojima confesses that Metal Gear Solid 2's motion capture was done using "trial and error" 25 years ago
