Monster review

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Hollywood finds it irresistible when its most ravishing leading ladies muck themselves up for the camera. And, for three years running now, it's been delighted to dole out its ultimate accolade to actresses who've allowed themselves to be battered with the ugly stick. Following Halle Berry's down'n'dirty portrayal of Monster's Ball's abusive, trashy mother and Nicole Kidman's putty-proboscisised Virginia Woolf in The Hours, it was Charlize Theron's turn to be rewarded for her transformation into serial murderess Aileen Wuornos, the south Florida hooker executed for offing seven johns in the '90s.

For Theron, who's been floundering for years in Hollywood's starlet pool, the Best Actress statuette will come as a knight in gold-plated armour, charging in to view just in time to rescue her from a mediocre, second-rank career. The question is: does she deserve all the praise being heaped upon her?

Theron pulls off an astonishing transformation to bring serial killer Aileen Wuornos to brutal life. Trust us, this ain't no stunt performance.

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