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The core conceit of Ringu director Hideo Nakata’s first British film (scripted by Hunger writer Enda Walsh, from her own play) is that the online chatroom set up by teenage bully-boy William (Aaron Johnson) appears as an actual room in what looks like a run-down hotel.
Alas, that’s about it for creative spark in a plodder that prefers to explain (and then repeat the explanation) rather than let the audience use their imagination.
As a thriller, then, it packs all the excitement of a spam email – and as an attempt to riff on current concerns about cyber-bullying, it’s laughably simplistic.
Cyberpunk 2077's surprise car customization update was co-developed by the Metal Gear Solid 3 Remake devs, lets you lower your wanted level on the fly GTA-style
All of the OG MCU Avengers should return as villains, starting with Avengers: Doomsday
Everybody loves Jeff the Land Shark, Marvel Rivals' standout star, except the people who have to play against him
