40 Coolest Movie Blu-rays

The Lord of the Rings

The Transfer: Middle Earth aka New Zealand has never looked so divine. The only reason it’s so low on this list is that they’ve held back on the fanboys’ favourite Extended Editions in favour of the paltry nine or so hours of the theatrical cuts.

Nausicaa of the Valley of the Wind

The Transfer: The Studio Ghibli Collection is parcelling out Hayao Miyazaki’s immaculate hand-painted fantasies a film at a time. His breakthrough movie sets a high standard in terms of capturing the director’s lovingly drawn backdrops.

Grindhouse

The Transfer: The films may be patchy, but Blu-ray is the only way you’re going to be able to enjoy Rodriguez and Tarantino’s retro homages back-to-back – even if hi-def is the exact opposite of what the directors set out to achieve with their missing reels and scratched prints.

Pans Labyrinth

The Transfer: So rich that the seams between the film’s unflinchingly realistic vision of civil war and its fantasy creatures don’t show. The greater the definition, the more it appears that the faun has emerged from the forest, not from a prosthetics lab.

Profound Desires of the Gods

The Transfer: Eureka’s Masters of Cinema range is targeting the UK connosieur’s market in the same way Criterion does in the States. Profound Desires is a case in point – Shohei Imamura’s oddball epic about a tropical paradise governed by an incestuous family.

Sunrise

The Transfer: You’d expect silent movies to look worse than any other, but Sunrise is different. Already a work of perfectionism by F.W. Murnau with its slippery, dream-like visuals, the current release offers two different cuts: a remastered one, and a newly discovered Czech print that highlights how well film can stand the test of time.

The Assassination of Jesse James By The Coward Robert Ford

The Transfer: One of the handsomest films of recent years gets a suitably luxurious treatment, proving that all the FX in the world can’t compete with faces and landscapes captured by a master cinematographer, in this case Roger Deakins.

Scott Pilgrim Vs The World

The Transfer: From Britcom to blockbuster, Edgar Wright’s visual imagination, sonic experimentation and sugar-rush stylings pop out in vibrant glee on Blu-ray. It’s as if Ramona Flowers’ hair colour keeps changing just to test the medium’s possibilities.

Heat

The Transfer: Mann’s modernist L.A. benefits from Blu-ray’s ability to bring out his sleek, steely cinematography. But really, this one’s about the cacophony of gunfire during the battle sequences. Bring the noise.

Up (2009)

The Transfer: Of all Pixar’s films, this is the one that feels made for Blu-ray, with its rainbow of balloons (each one rendered with unique movement) and a menagerie of creatures, from hairy dogs to wrinkly pensioner Carl Frederickson.

The Red Shoes

The Transfer: Overseen by Michael Powell’s biggest fans Martin Scorsese and editor Thelma Schoonmaker (aka Powell’s widow), this is a startling restoration of one of the most sumptuous, visionary British films ever made. You’ll envy your grandparents for living through the Technicolor era.

Psycho

The Transfer: So clear it warranted a complaint from one commentator that it was too good, because the actors’ make-up was visible. But what it highlights is that, even shooting quickly with a TV crew and a reduced budget, Hitchcock’s attention to detail of performance and art direction rewards repeat viewing.

The Fall

The Transfer: Tarsem Singh travelled around the globe seeking real-life locations that look out of this world. It takes Blu-ray to really appreciate his success in forging an extravagant fantasy without the tell-tale fakery of CGI.

Goodfellas

The Transfer: Goodfellas was always about selling a lifestyle, and here – displayed in pin-sharp detail – it’s all but impossible to resist the allure.

Playtime

The Transfer: Jacques Tati spent nearly a decade building an elaborate, fully-functioning city set and shot it in lustrous 70mm. The results pay off in this gorgeous Blu-ray, so detailed you’ll need to rewatch to catch all of the sight gags.

Back To The Future

The Transfer: Overseen by Robert Zemeckis, the Trilogy box-set captures his ace time-travel rom-com and sequels in the best quality they’ve ever been seen. Considering that the original DVD releases suffered idiotic framing issues, this is a good thing.

There Will Be Blood

The Transfer: Paul Thomas Anderson’s masterpiece shouldn’t suit Blu-ray – its images are oily and dark; its soundtrack like a swarm of angry flies. However, it takes high definition to showcase just how special Anderson’s anti-epic is.

North By Northwest

The Transfer: When rival studios were competing to find the best Widescreen format, Paramount’s VistaVision didn’t win hearts and minds. But judging by the flawless appearance of Hitchcock’s classic chase movie, it probably should have done.

Fantasia

The Transfer: Walt Disney spared no expense to create imagery vivid enough to compete with the majesty of classical music. With the latter positively euphoric on Blu-ray, Walt would be happy to know that the picture quality is astonishing.

Moulin Rouge

The Transfer: Sonically and visually boisterous, Baz Luhrmann’s attention-deficit musical can-can-cans into your living room with eye- (and ear-)popping immersion.

The Searchers

The Transfer: For a routine release of (what was originally seen as) a routine Western, this is anything but routine – a restoration so immaculate you could put John Ford’s Monument Valley next to the real thing and not know which was which.

Le Mepris

The Transfer: The Studio Canal Collection is quickly amassing a reputation for the most loving transfers of classic. Jean-Luc Godard’s movie-making satire, shot in sun-kissed primary colours and capturing Brigitte Bardot at her most kittenish, highlights how gorgeous their work is.

Fight Club

The Transfer: The first rule of the Fight Club Blu-ray is… ooh, never noticed that before. With the resolution able to pick out fresh detail amidst the film’s Stygian gloom, this is definitely something worth talking about.

Close Encounters Of The Third Kind

The Transfer: The majority of Spielberg’s early masterpieces are still awaiting their BD upgrades – but few of them are likely to match this for visual majesty, with the Mothership’s lightshow turning your telly into a Christmas tree.

Casino Royale

The Transfer: Sharp. Fast. Deadly. Just like 007, really.

Gone With The Wind

The Transfer: An epic in scope and scale, Blu-ray is the perfect format to let its sumptuous set and costume design (in scorching Technicolour) wash over you. They don’t make ’em like this anymore.

Inception

The Transfer: Like a dream. Well, several dreams. Oh, you get the idea.

Star Trek

The Transfer: J. J. Abrams’ retro-cool reboot of Kirk and co’s adventures aboard the Enterprise is the sprightliest, sunniest blockbuster of recent years. For connoisseurs of lens flare, it doesn’t get much better than this.

Saving Private Ryan

The Transfer: Dwarfed in scope and scale by its TV spin-offs Band of Brothers and The Pacific , maybe, but Blu-ray underlines that Spielberg got the technical stuff bang-on first time. The maelstrom of mud, blood and deafening gunfire that opens the film makes you glad we no longer have National Service.

2001: A Space Odyssey

The Transfer: Stanley Kubrick’s perfectionism pays off over 40 years later, with a release whose controlled sound and image are in perfect balance on disc. Prepare to be blown away all over again.

The Godfather trilogy

The Transfer: aka the Coppola Restoration, this shows the benefit of letting the original director get his mitts on the material to fine-tune things to his satisfaction. As bloody and beautiful as it’s ever been.

The Social Network

The Transfer: Fincher’s masterpiece about the creation of Facebook is a study of synthetic screens and richly burnished wood – a marriage of the classical and modern that thrives on Blu-ray. Trent Reznor’s pulsing electronica sounds awesome, too.

The Wizard of Oz

The Transfer: Unbelievably good for a film of its vintage; it feels as if the Technicolor has been painted back on frame by frame. Emerald cities and ruby slippers gleam like never before.

Baraka

The Transfer: It was between this and ace TV series Planet Earth , but that's probably already in your collection.

Wall-E

The Transfer: Flawless as you’d expect from Pixar’s digital source. Even so, the near-photo-real depiction of a lone robot trundling across a ravaged planet – aided by one of the most nuanced soundscapes ever created – is jaw-dropping.

The Dark Knight

The Transfer: A test case for black levels, plus a bold attempt to approximate the full oopm of Imax on a telly screen by using a different aspect ratio for the big set-pieces.

Blade Runner

The Transfer: Simply remastering the ’82 cut would probably be enough to give Ridley Scott’s futureshock classic a place here. The fact that he bothered to tinker with the narrative, and fix the original’s glaring technical flaws, means that a near-thirty year old film looks more amazing than any of this year’s wannabes.

Apocalypse Now

The Transfer: Not actually out in the UK yet, but the U.S. edition captures the Wagnerian shock and awe of Coppola’s jungle excursion but once, not twice but three times, with the 1979 cut, the 2001 Redux , and definitive doc Hearts of Darkness: A Filmmaker’s Apocalypse .

Avatar

The Transfer: Shorn of its 3D gimmickry, Avatar still offers such a dazzingly immersive experience that you’ll want to touch the foliage. Crucially, Cameron’s CG-augmented reality was captured at 10 million mega pixels (give or take) so Blu-ray is perfect.

Alien Anthology

The Transfer: A labour of love, with all four films benefitting from the same meticulous attention to detail their directors gave them. For texture, Ridley Scott’s original is hard to beat, but restored sound on Alien 3 ’s workprint reveals the film it might have been, and a stunning transfer of Aliens adds sleekness it probably never had. Unbeatable.