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The Last of Us Remastered review

Astonishing
AT A GLANCE
  • Powerful, mature storytelling
  • Intelligent, ultra-versatile combat
  • Jaw-dropping visuals--even more so on PS4
  • Great multiplayer modes
  • The steep learning curve early on

This is no mere action game you’re reading about. It isn’t even ‘just’ a very good one. It’s a bona fide, genre-defining, once-or-twice-a-generation Big Deal; the game Naughty Dog has always threatened to make but never really delivered. The Last of Us’ storytelling is as important a part of the experience as any element of its gameplay. In fact the two are so intertwined that it’s impossible to separate one from the other. After years of bold claims from multiple parties, it could be argued that The Last of Us is the first truly mature interactive narrative in the action genre. As such, it’s a genuine landmark, and an utterly fitting representation of the seventh console generation's last chapter. And if you haven't had the joy of playing it on the PS3, the Remastered edition for the PS4 is something you need to experience straight away. Already familiar with The Last of Us? Check out the new boxout and gallery below, which detail all the perks that come with playing on the PS4. New to The Last of Us entirely? Read on.

Beginning 20 years after a mind-controlling fungus parasite has devastated humankind, The Last of Us finds protagonist Joel as broken, hardened, and locked-down as the world around him. Being a man of advanced years, he’s one of the few characters in the game with a clear memory of the world before the outbreak. He spends his days trying to exorcise the loss that haunts him, burying the past and acknowledging only the daily struggles of the present. 

Immediately it’s clear that The Last of Us is a very different beast to what we’re used to from the genre. Naughty Dog unapologetically replaces Uncharted’s charismatic action-movie bluster with underplayed, slow burning grit. Where once there were sparky archetypes and gleaming, stylised environments, now there are closed, flawed, almost unlikeable people inhabiting a grimy, mundane, painfully realistic urban nightmare. It’s only when Joel is tasked with delivering 14-year-old Ellie to an underground movement known as the Fireflies that his journeys, both geographical and personal, begin.

The Last of Us on PS4

Alright, if you've already played through The Last of Us on the PS3, is it worth picking up the Remastered edition? That depends entirely on how much you liked it the first time around, and if you feel it's something you'd revisit. Remastered's shift to 60fps means combat feels MUCH more fluid, and the game is, of course, prettier than the original--as of now, it's the prettiest console game available. Add to that a new difficulty mode and all of TLOU's DLC packs, and it's a hell of a deal. That said, if you didn't love it the first time around, prettier visuals and extra content probably won't sway your opinion.  

While the meat of the action takes the form of brutally demanding encounters with the human and less-than-human threats inhabiting the no man’s land outside of America’s fortified cities, that’s literally and figuratively only half the story. The Last of Us is billed as "survival action," and the ceaseless realisation of the former concept makes every second of the game a thrilling, emotionally pounding and intellectually nourishing experience.

Built around a solid stealth system driven by line-of-sight, The Last of Us’ action encourages an entirely player-driven approach to almost every encounter. Provided he can scavenge the gear needed to build and feed them, Joel has a healthy array of potential tools at his disposal, ranging from firearms to Molotov cocktails and nail-bombs. The most powerful weapons he has though, are thought and tactical adaptation. And that makes every encounter in the game fresh, exciting, terrifying and deliciously unpredictable.

Wide, sprawling, multi-leveled environments encourage and reward creative play at every turn. All of Joel’s tools have great versatility, able to be used directly or more cleverly for misdirection. While not really a traditional stealth game, direct confrontations, even with the rarity of a fully loaded gun in hand, are unwise. Emphasising the worn-out, desperate state of the world, ammo is in painfully short supply, even from enemy drops. With no fancy silenced weapons available, firing even a single shot is akin to sending up a flare inviting enemies to Joel’s location. Instead, it’s best--and far more satisfying--to play cat-and-mouse with the sophisticated AI, using its knowledge of your last location to herd it around and manipulate its behaviour, hanging on by your fingernails to stay just one step ahead and maintain an advantage. It’s as exciting to the brain as it is to the adrenal gland.  

The items that fuel the crafting system require studious searching of the environment to acquire. And even when you have the bits, crafting takes real, in-game time. As does using the manual healing system, assuming you’ve made enough health kits. Go into a fight unprepared, and finding a safe place to resupply becomes a life-or-death challenge in itself.

More Info

Release date: Jul 29 2014 - PS4
Jun 14 2013 - PS3 (US)
Q4 2013 - PS3 (UK)
Available Platforms: PS4, PS3
Genre: Action
Published by: Sony Computer Entertainment
Developed by: Naughty Dog
ESRB Rating:
Mature: Blood and Gore, Intense Violence, Sexual Themes, Strong Language

That’s the wonderful thing. This isn’t a set of separate, isolated elements. It’s made up of a whole stack of disciplines and possibilities, working together organically to create a deep, layered, ever-changing, and constantly stimulating whole. Options are always open, every move has an equal risk and reward, and with no rules or penalties governing your approach, any decision that keeps you alive is the right decision. But with Ellie by Joel’s side throughout, each choice comes loaded with a weighty sense of responsibility.

But as stated, that’s only half of the story. Because part of the reason The Last of Us’ violent encounters remain so tooth-rattlingly affecting is how sporadically placed they are throughout the game. The resonance of the (necessarily) brutal violence never dissipates through over-repetition, but more so, the slow-burning nature of the game’s pacing infuses every encounter with immense emotional weight.

This is a game of extended, ambient travel sequences and powerfully underplayed character development. The vast, gorgeously decaying vistas of a world reclaimed by nature are a constant reminder of both the weight of Joel and Ellie’s quest and the necessity of vigilance and violence at all times. They’re also a source of visual wonder, bringing out joy and confusion in Ellie while reminding Joel of a better past. In these quieter sections, be they meandering environmental puzzles in which Joel finds ways for the less capable Ellie to progress, or simply lengthy treks through the urban wilderness of a society long-since collapsed, the immense quality of the game’s writing and performances really shines.

The slow exploration of an abandoned town might spark up equal excitement and sadness in Ellie as she discovers the long-dead remains of a world she never got to know. Her playful instinct might take over as she explores an abandoned neighbourhood while Joel hunts for supplies. And the game’s narratively minded treatment of even mundane tasks ensures that the frequent scavenging never becomes tedious busywork.

Apparently empty areas are often the ones most packed with content. Not much might seem to happen while exploring a deserted plaza for gear, but these are the times that ambient, environmental storytelling will most frequently trigger quietly significant exchanges between the two leads. 

As such, the high stakes, low resources and knowledge that anything could be around the next corner feed directly into the importance of each and every trinket found. You only survive by what you bring to the equation, giving every life-saving bomb or trap a personal significance. Particularly if the parts used to build it came from the hands of a dead family making a similar survival bid to Joel and Ellie’s. There might be a great deal of downtime between the action, but the game never rests.

It’s the interplay during minute, delicately sketched events like these that brings about the many subtle interactions through which the characters’ personalities and viewpoints gently rub off on each other, gradually but completely transforming the two and their relationship. Ellie’s curiosity at a world Joel is trying to forget slowly forces him to modify his outlook and actions, while his weary, coldly logical demeanour starts to inform Ellie’s approach. 

And all of this feeds straight back into both gameplay and tone: Ellie’s hardening makes her an increasingly useful combat aid, while also raising uncomfortable questions about what she might be turning into--questions you’ll be forced to address every time she bricks an enemy in the head to help you stay alive. It’s a violent game, but also sometimes a game about violence, and that’s a rare and worthy achievement indeed.

Yes, The Last Of Us does have a competitive online component, and it’s far from the hastily cobbled together addition some might expect. Rather, Factions mode proves itself to be surprisingly adept at crafting thoughtful team deathmatches. 

Split into two modes (Supply Raid and Survivors) two teams of four players are pitted against each other with a finite number of lives. In the former, each side has 20 lives rationed out between its members; the first team to wittle the other’s number down to zero are declared the winners. Survivors goes one further and completely does away with respawns all together over desperately tense three minute rounds. 

Compliments to Naughty Dog for creating a multiplayer that defies convention and focuses on slow-burning strategy. The emphasis is very much on survival first, reckless killing a distant second. In that sense, Factions captures the ideology of single-player beautifully, even if it is unlikely to capture the COD crowd. If you're planning on jumping back into multiplayer in the PS4's Remastered version of the game, be aware that your PS3 progress won't carry over.  

Built of a culmination of everything that action gaming has grown to become over the last eight years, The Last of Us is the definitive statement on what the genre has achieved thus far. Made of wildly eclectic gameplay mechanics polished to a sheen, bound intelligently and movingly to one of the most affecting narratives in games, The Last of Us succeeds where so many pretenders have failed. 

It combines DNA strands from across the genre, yet reworks and recontextualises them to become far more than the sum of its parts. Its storytelling is peerless, as affecting and multi-layered as it is grounded, underplayed and real. In terms of everything the modern action game has strived to be, The Last of Us is the full-stop at the end of the sentence, leaving no more to be said. Until next-gen. If this is our starting point for that, then the next five to ten years could be truly amazing. 

The Last of Us remains a must-play, genre-defining action survival game, and the Remastered version brings with it plentiful tweaks and additional content that make it well worth the asking price.

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20 comments

  • _--_ - July 28, 2014 1:54 a.m.

    --ah --TLOU --where the most dangerous thing to your enemy --is an unraided office supply store
  • Cruddi - July 28, 2014 8:49 a.m.

    Lol the joy of finding a full bundle of tape and rags has never been so fulfilling lol.
  • _--_ - July 28, 2014 9:17 a.m.

    --and dont forget the good ole trusty --scissor 'parts'
  • rainn'sgaydar - July 28, 2014 7:15 a.m.

    I'm really looking forward to that developer commentary. Thanks for the review!
  • Cruddi - July 28, 2014 8:48 a.m.

    I was thinking of giving this a miss... damn you games radar you are trying to kill my wallet aren't you?
  • PoweronPub - August 5, 2014 4:21 p.m.

    Definitely don't skip this one!
  • Cruddi - August 6, 2014 2:07 a.m.

    I haven't and it is amazing I didn't think it could get better than the PS3 version I was wrong... very wrong
  • Perran7691 - July 28, 2014 3:01 p.m.

    Just traded in my PS3 copy at Gamestop for a 50% towards the PS4 version, now $25. Sweet deal since I never did purchase any of the DLC, that alone would have been $20. Now I get them free.
  • crazygamer92 - July 28, 2014 6:42 p.m.

    Option to lock the fps at 30 and get soft shadows? This is the main reason for getting a console usually, not dealing with graphics options, i bet this is something we start seeing more with the new consoles, kind of crazy though I haven't seen graphics options in any other console game.
  • Cruddi - July 29, 2014 1:30 a.m.

    I have noticed a few Vsync options in some console games, the names escape me but I remember it quite clearly because I thought it was strange also.
  • crazygamer92 - July 29, 2014 10:32 a.m.

    I havent seen these options but ill take your word for it, yeh its strange for sure. I guess Vsync options makes sense, apart from the tearing it wont make a difference to the graphics and it would bump up the fps for those that are extra picky.
  • Cruddi - August 6, 2014 2:22 a.m.

    I do mean a few like 2 maybe 3 games but not many at all, I tried it on here but for some reason it runs worse than the PS3 version.. lags like hell but it runs smooth as silk with out it on... who would want it on?
  • crazygamer92 - August 7, 2014 7:39 a.m.

    I bet it looks really good at a solid 60fps, do the shadows look that much better? With my pc I find the shadow options are always the ones that seriously effect fps, maybe it's for people who don't notice the frame rate, but in that case they probably wouldn't notice the diffirence in shadow quality either.
  • Cruddi - August 7, 2014 9:44 a.m.

    There is a difference but even without being locked at 30fps the shadows still look good but I don't really notice i'm too slack jawed at the rest of it to even notice, I agree I find my PC can't handle shadows very well that tends to be the first setting I mess with.
  • jason-clarke - July 29, 2014 4:18 a.m.

    got this on order for release day, i never played it on ps3 as i came from the xbox 360 and this was the game i really wanted to try but couldnt, but is it really the best looking game to be released on a console as of now? i mean really? killzone shadow fall and infamous really would take some beating by a cross gen title.
  • GR_RyanTaljonick - July 29, 2014 8:32 a.m.

    It's true!
  • kannanaiim - July 29, 2014 9:58 p.m.

    After Reset Is The Retro Fallout Sequel You Always Wanted
  • Divine Paladin - July 29, 2014 10:07 p.m.

    I doubt it. Looking at screenshots, comparisons, in game footage, it looks mildly better than the PS3 version. In some ways the graphics on the PS3 version are better too, as it looks less...washed out (mostly powdered with sunsets just for the sake of showing shadows). Of course, seeing it on a computer screen isn't seeing it in action. But this seems like more TLoU pandering than full-on truth. Second Son is goddamned beautiful, and I won't easily be convinced that a port that apparently pretty frequently drops 15 frames on max settings is more beautiful than a game which the PS4 was designed around. Knowing GR's penchant for exaggeration doesn't help that sentiment either lol.
  • dillpicklegames - August 17, 2014 4:18 p.m.

    Having played the ps3 version, I was a day 1 purchaser of this one. But it was fun reading the reactions of my buddy who was new to the game. http://www.dillpicklegames.com/the-last-of-us-remastered/
  • sephex - August 20, 2014 11:18 a.m.

    Great story, but there's not much game in it.

Showing 1-20 of 20 comments

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