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reviewBob Marley: One Love review - "Lacks the great man's blazing charisma"
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reviewLisa Frankenstein review: "A neat mash-up of high-school comedy and horror tropes"
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reviewThe Iron Claw review: "Zac Efron's moment to shine"
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reviewArgylle review: "Matthew Vaughn's well-cast romp lacks focus"
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reviewOrion and the Dark review: "Netflix's animated adaptation is warm and witty thanks to Charlie Kaufman"
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reviewAmerican Fiction review: "Jeffrey Wright shines in the fiendishly smart comedy-drama"
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reviewLove Me review: "Kristen Stewart and Steven Yeun's new sci-fi romance is ambitious but ultimately underwhelms"
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reviewA Real Pain review: "Kieran Culkin proves why he was Succession’s MVP in Jesse Eisenberg’s latest"
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reviewThe Color Purple review: "Treads a fine line between saccharine and crowd-pleasing"
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reviewThe End We Start From review: "Jodie Comer is a force of nature in this apocalyptic drama"
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reviewLift review: "A fun if by-the-numbers Netflix heist movie"
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reviewMean Girls review: "needed to be more makeover than remake"
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reviewThe Boys in the Boat review: "George Clooney's old-school sports drama is solid but predictable"
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reviewNight Swim review: "Blumhouse's new horror sinks like a stone"
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reviewAquaman and the Lost Kingdom review: "The DCEU's last outing should have tried to make more of a splash"
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ReviewWarcry: Hunter and Hunted review - "Contains some of the best miniatures yet"
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reviewRebel Moon Part One review: "Risks being subsumed by its own self-importance, but delivers bombastic mayhem"
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reviewLeave the World Behind review: "A glossy but uneven dystopian drama"
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reviewWonka review: "Paul King brings his Paddington touch to Roald Dahl"
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