Room For Romeo Brass, A review

Shane Meadows most personal movie yet

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After the critical success of TwentyFourSeven, Brit indie hero Shane Meadows planned to turn his writing and directing skills to something different, something more distanced from his "council estate" films. But, following conversations with his dying grandfather about his own childhood relationship with Romeo Brass co-writer Paul Fraser (who he once shot in the stomach with an air rifle), Meadows decided to keep his second feature close to home, making it his most personal movie yet.

The result is a subtle, touching and - at times unnerving account of a believably imperfect friendship and the impact an outsider has upon it. In fact, for most of the narrative, Romeo and Knocks aren't even friends, with interloper Morell driving a wedge between them. While Knocks is bedridden, recovering from an operation on his back (to his credit, Meadows never makes an issue of it), Romeo happily abandons his old playmate, spending more time with Morell and helping him find his way into Ladine's heart - or, at least, her knickers.

Another Meadows council estate movie, but don't make the mistake of thinking you've seen it all before. At the core is a disturbingly effective performance from Paddy Considine, which will leave you wondering whether to laugh or cry.

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