Is it just me, or should more films have intermissions?
A Total Film writer on why it's time for a time out...
Weekly digests, tales from the communities you love, and more
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
GamesRadar+
Your weekly update on everything you could ever want to know about the games you already love, games we know you're going to love in the near future, and tales from the communities that surround them.
Every Thursday
GTA 6 O'clock
Our special GTA 6 newsletter, with breaking news, insider info, and rumor analysis from the award-winning GTA 6 O'clock experts.
Every Friday
Knowledge
From the creators of Edge: A weekly videogame industry newsletter with analysis from expert writers, guidance from professionals, and insight into what's on the horizon.
Every Thursday
The Setup
Hardware nerds unite, sign up to our free tech newsletter for a weekly digest of the hottest new tech, the latest gadgets on the test bench, and much more.
Every Wednesday
Switch 2 Spotlight
Sign up to our new Switch 2 newsletter, where we bring you the latest talking points on Nintendo's new console each week, bring you up to date on the news, and recommend what games to play.
Every Saturday
The Watchlist
Subscribe for a weekly digest of the movie and TV news that matters, direct to your inbox. From first-look trailers, interviews, reviews and explainers, we've got you covered.
Once a month
SFX
Get sneak previews, exclusive competitions and details of special events each month!
We’re not even halfway through 2023 and it’s already been a banner year for major releases with bum-numbing runtimes. Beau Is Afraid, John Wick: Chapter 4, Babylon and (2022 holdover) Avatar: The Way of Water all pushed, or exceeded, the three-hour mark, while the lengthy likes of Killers of the Flower Moon and Occupied City are still to come.
I’m a firm believer that films should be as long as they need to be to tell the best story they can – whether that’s 90 or 190 minutes. But if jumbo runtimes are on the rise, I think it’s high time the intermission made a comeback. The immediate benefits are obvious: a break to stretch your legs/use the loo/stock up on snacks without missing a vital part of the film. And if, like me, you’d never entertain the idea of sitting down for a marathon movie without a full stomach and empty bladder, a break would guarantee fewer distractions from folk stepping on toes and booting over buckets of popcorn in the dark.
It’s not like intermissions are an alien concept. In the theatre they’re standard practice, while Bollywood films are widely screened across the UK with intermissions. They also afford a chance to discuss with friends (or strangers, if you’re feeling brave) what you’ve just seen and your expectations for the second half, potentially discouraging irritating chatter during the film itself.
An intermission can also be a tool for storytellers. The roadshow release of The Hateful Eight had an intermission meticulously placed for maximum impact at a turning point in the story, while Bollywood films are often structured around mid-film twists that ensure the midsection never sags. And deep down I’ve always believed films like Gone with the Wind, Once upon a Time in America, and the Dances with Wolves extended edition to be epic on a whole other level to most movies, in part due to their grandiose intermissions.
No one’s arguing that Cocaine Bear or The Super Mario Bros. Movie needed a 15-minute breather in the middle (though some parents might, regarding the latter). But with the right film, an intermission could greatly enhance the cinematic experience. Or is it just me?
- Is it just me, or do blockbusters require too much homework?
- Is it just me, or is the 'Emo Parker' scene a Spider-classic?
- Is it just me, or is 90s action cinema the best?
Bringing all the latest movie news, features, and reviews to your inbox

I'm the Managing Editor, Entertainment here at GamesRadar+, overseeing the site's film and TV coverage. In a previous life as a print dinosaur, I was the Deputy Editor of Total Film magazine, and the news editor at SFX magazine. Fun fact: two of my favourite films released on the same day - Blade Runner and The Thing.


