Gotham S1.08 The Mask Review

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That was the best episode of The Apprentice in ages… Oh hang on.

Gotham attempts a satire on the evils of corporate greed that’s about as subtle as scripted “off-the-cuff” witticisms of Alan Sugar (and, for that matter, US Apprentice boss Donald Trump). The show’s lack of conviction in its central idea of a company boss (Richard Sionis, aka The Black Mask) whose recruitment regime includes getting the candidates to fight each other to the death (if necessary), is evidenced by the fact that the plot runs out of steam after 18 minutes.

Family Resemblance

Like mother, like son. Penguin’s mum shopped someone to the secret police. Evil in Gotham seems to be a case of nurture rather than nature.

Meanwhile, Gordon’s attempts to win over his police colleagues and hopefully make them start having some pride in their work seem to be paying off. It’s refreshing to see Essen back up Bullock, and the other cops following suit. Ironically, though, Gordon himself climbs off his high horse in a big way this episode. It seems that he’s not a slave to the letter of the law, and is happy to come on all Gene Hunt if he’s unilaterally decided that someone’s guilty. Though it’s quite possible that the writers haven’t even seen the irony in this, because one of the tenets of US TV crime show scripting is: if the audience knows the bad guy is the bad guy, then anything that’s done to him is morally justifiable.

There’s also a great scene for Ed Nygma. This guy is so great as a creepy crime scene investigator it’s a shame he’ll have to turn bad one day, and his illicit post mortem is a little gem. Fish’s long game with Falcone and Liza continues to intrigue, and the Penguin is compellingly repulsive to watch as ever. Does anyone else swear they can actually smell him?

Gotham airs on Monday nights on Channel 5 in the UK, and on Fox in the US.

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WriterJohn Stephens
DirectorPaul A Edwards
The one whereA crooked business tycoon recruits new staff by making them fight each other.
Dave Golder
Freelance Writer

Dave is a TV and film journalist who specializes in the science fiction and fantasy genres. He's written books about film posters and post-apocalypses, alongside writing for SFX Magazine for many years.