Gosford Park review

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It may have been significantly funded by the Film Council, and it may boast a formidable array of British thespians, yet Gosford Park is most definitely a Robert Altman film. There's the trademark overlapping dialogue, the huge ensemble cast, and the freewheeling attitude to storytelling. While some of Altman's finest films - - McCabe and Mrs Miller, The Long Goodbye - - have been ironic deconstructions of American genres, here he casts a quizzical eye over the English country house movie.

Gosford Park unfolds over a November weekend in 1932, when Lady Sylvia (Kristin Scott Thomas) and her husband Sir William (Michael Gambon) have invited a mixture of relatives and friends for a shooting party on their estate. Among the guests are a Hollywood producer (Bob Balaban) and the singer-film star Ivor Novello (Jeremy Northam), while downstairs is a hive of activity and gossip among the domestic staff: visiting personal maids and valets such as Mary (Kelly Macdonald) and Parks (Clive Owen) will have to be shown the ropes by the regular Gosford employees.

Altman's playful satire on the inter-war English class system may not be the director's most substantial work, but it's shot and acted with admirable fluency and flair.

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