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Asghar Farhadi’s follow-up to the terrific A Separation sees him moving from Iran to France.
Directing through an interpreter, he’s managed to coax a devastating performance from Bérénice Bejo (who took Best Actress at last year’s Cannes) as a serial monogamist mother.
Radically u-turning from the breezy charm of The Artist , she saves the film, mostly because its plot – Iranian husband (Ali Mosaffa) returns to France to divorce Bejo’s Marie, secrets are revealed – comes dangerously close to perpetuating rational man/hysterical woman stereotypes.
And however much the arthouse trappings try to hide it, the silly late act twists belong on an episode of EastEnders.
Kingdom of the Planet of the Apes cast totally get why their characters are being compared to Elon Musk and Luke Skywalker
Marvel's answer to Overwatch has its 39-character roster datamined, including Spider-Man, Squirrel Girl, and a beloved Avengers character
After spending 2 years setting 17 straight world records, this Minecraft speedrunner is finally "taking a break" following an unbelievable "near flawless" run