The Quiet American review

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Saigon, 1952. London Times' correspondent Thomas Fowler (Michael Caine) has carved out an agreeable life for himself. Ostensibly on long-term assignment covering the Vietnamese fight for independence from French colonial rule, he's enjoying the bustling city and carrying on a splendid affair with local beauty Phuong (Hai Yen). Then well-intentioned US aid worker Alden Pyle (Brendan Fraser) appears on the scene. At first, Fowler is happy to befriend this polite, quiet American and show him around his adopted city. It's not long, though, before Pyle has intentions towards Phuong and his very presence threatens the stability of Fowler's cosy existence.

Graham Greene's novel was a red-hot piece of symbolic political prophecy in the mid-'50s, humanising and foretelling the catastrophic results of the colonial rulers' efforts to retain control of their exotic Asian prize. Not to mention highlighting the blundering interference of the Yanks in the name of liberation. It's a shame, then, that this adaptation is a bit of a yawn.

Evocative, interesting and grown-up, The Quiet American painstakingly recreates Graham Greene's vision of a fascinating time and place. Shame it's so bloody boring.

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