Honeydripper review

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Indie maestro John Sayles has always loved to explore American subcultures and in this, his 16th film as writer/director, he turns his flashlight on popular music. Specifically, Honeydripper charts the key turning-point when the guitar, that hitherto shy and soft-spoken instrument, plugged itself into the mains and grabbed the limelight.

Danny Glover plays Tyrone Purvis, proprietor of the Honeydripper Lounge situated in the small Alabama township of Harmony. Business ain’t good. It’s 1950 and the old-style blues singing purveyed at the Honeydripper is going out of style; the kids prefer the nearby juke-joint. In a desperate bid to save the Lounge, Tyrone books a famous New Orleans musician, Guitar Sam. But when Sam fails to show, Tyrone recalls a young guy called Sonny Blake who recently drifted through, toting a strange newfangled device he calls an electric guitar. Maybe he can stand in? Only one problem – Sam’s been arrested for vagrancy by the corrupt sheriff...

A warm, sweet-natured film, played by an ensemble cast totally into their parts and backed by some irresistible music. A touch too rambling in narrative terms, maybe - but when everyone (including us) is having such a good time, who cares?

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