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When it comes to the best Batman comics, there are a lot of opinions since few characters have as much widespread popularity and appeal as Bruce Wayne. Over the years, we've seen the Caped Crusader in games and movies, and even some of the best Batman villains have had their own spin-offs, too (just look at the new show, The Penguin).
But a big part of his success in pop culture comes from how strong the original comic source material is, as illustrated in the best Batman stories of all time. Still, as we mentioned above, picking a list of the top comics ever is not only tricky because the character has been around for over 80 years, but there's also a constant monthly wave of new Batman comics being released as we speak.
10. Whatever Happened to the Caped Crusader?
Published in: Batman #686, Detective Comics #853 by Neil Gaiman and Andy Kubert
Kicking off our list of the best Batman comics is Whatever Happened to the Caped Crusader? Neil Gaiman and Andy Kubert gave us a two-parter that works as a celebration of Batman's history and how the famous DC character has changed over time.
Gaiman's dreamlike approach to such a massive undertaking makes this undeniably a 'Neil Gaiman Comic Book,' but the real star is Andy Kubert's linework. Kubert's style is undeniably his own, but the script forces him to try on elements from many great Batman artists over the years while still maintaining a cohesive visual narrative. 'Whatever Happened to the Caped Crusader?' is one of comic books' greatest love letters to one of its most lasting characters.
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9. The Court of the Owls
Published in: Batman #1-11 by Scott Snyder and Greg Capullo
While the 'New 52' is a sore spot for many fans, you'd be hard-pressed to find too many complaints about Scott Snyder and Greg Capullo's Batman run. Snyder's horror roots come through in a big way with 'Court of the Owls,' introducing readers to a secret cult that's intrinsically tied to Gotham's history. In exploring this new mystery, Snyder doubles down on one of the oldest tropes of noir storytelling - the city as a character - and invites readers to forget everything they knew about the place that Bruce Wayne is sworn to protect.
Artistically, Capullo was more than up for the challenge, syncing up with Snyder's intentions from page one and imbuing Gotham with a dark energy that the story demanded. Add in a slightly more streamlined approach to Jim Lee's Batsuit redesign against the stark horror visuals of the Court of Owls, and we've got one of the most memorable stories of the 21st century.
For more information, read Newsarama's catch-up with Snyder and Capullo to reminisce about Batman: Court of Owls a decade later.
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8. The Man Who Laughs
Published in: Batman: The Man Who Laughs by Ed Brubaker and Doug Mahnke
Batman's rogues' gallery is oft-cited as a big reason for the lasting legacy of the character and there is one villain who stands above them all: the Joker. The Man Who Laughs is a modern update on Joker's appearance way back in 1940's Batman #1, but more than that it creates a dialogue that brings past, present, and future versions of the character together.
Ed Brubaker's vision of the Joker is brutal and unrelenting in ways that kept him relevant for audiences who, in 2005, were primed for a more adult take on the world of Batman. Doug Mahnke's art echoes those same violent and sinister sentiments to help deliver a book of one of the best Joker and Batman stories ever made.
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7. Hush
Published in: Batman #608-619 by Jeph Loeb and Jim Lee
With Hush, Jim Lee established himself as far more than just that guy who drew that one X-Men cover (just kidding)! But Lee's style evolved in really meaningful ways to this point. He was always a good draftsman but his pages in 'Hush' combined his solid character acting and expression work with some pulse-pounding action sequences. Arguably, he hasn't topped them since.
And Jeph Loeb is no slouch, either. His long-form approach to Batman mysteries might have been a bit formulaic at this point, but he managed to expand on Bruce's history while introducing a menacing new villain. That's tough stuff, especially from a comic book-reading audience that can sometimes resist new concepts. You can read our in-depth Batman Hush review of the seminal story arc if you are after more information.
6. Batman RIP
Published in: Batman #676-681 by Grant Morrison, Tony Daniel, and Lee Garbett
Grant Morrison's run on Batman is a long, strange trip through ideas from every nook and cranny of the Dark Knight's history, and Batman RIP is extremely representative of Morrison’s kitchen-sink approach. Morrison manages to pull together some of the weird parts of Batman's publishing history, like Bat-Mite and the Batman of Zur-En-Arrh, while taking readers (and Bruce) on a path to rediscovering just what who and what DC's Dark Knight is.
Of course, Bruce prevails, but not before he becomes intertwined with the events of Final Crisis, kicking off an era of great creativity in the Batline, including the emergence of Kate Kane and The Bat Family member Damian Wayne, Dick Grayson's time under the Cowl, and eventually, Bruce's return and the formation of Batman Incorporated.
Artist Tony S. Daniel and the editors of 'Batman R.I.P.' spoke with Newsarama in 2021 for a retrospective of the seminal arc.
5. A Death in the Family
Published in: Batman #426-429 by Jim Starlin and Jim Aparo
Jason Todd's eventual return would undercut this story a bit eventually, but it's impossible to deny the impact of 'A Death in the Family'. Bruce Wayne's life is marked by tragedy, but Jason represented his greatest failure, and the grim circumstances surrounding his death reminded us that Batman is, indeed, human.
While other iterations have made his seemingly superhuman readiness the focus of the character, Jim Starlin and Jim Aparo zeroed in on what could make Batman break. Of course, readers themselves had a say in this story — calling into one of two hotlines to vote on Jason Todd's fate - but for once, they might have made the right choice. DC recently published a "fauxsimile" version of the issue in which Jason Todd died, showing the unpublished alternate ending where he lives.
Bruce was haunted by Jason's death for some time, and even with his return, he's still a representation of Batman's limits.
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4. The Long Halloween
Published in: Batman: The Long Halloween #1-13 by Jeph Loeb and Tim Sale
We've reached the portion of the list where you could make an argument that any of these stories could take the top slot. But one thing that can't be argued is that The Long Halloween is Jeph Loeb and Tim Sale's masterpiece.
Sale's art is the most memorable thing about the book. The thin lines punctuated by big swathes of black inking give the whole book a very palpable tension. And Sale's character models are extremely unique while still being entirely recognizable. Coupled with Gregory Wright's bold color palette, The Long Halloween absolutely evokes the noir films it pays homage to.
The two creators would collaborate on another Batman story with Dark Victory and their famous Marvel color books but The Long Halloween stands above the rest — a harrowing mystery that is a perfect marriage of Batman's noir detective roots and his colorful rogues' gallery. It's no wonder that Christopher Nolan and Matt Reeves cited this story as a big influence on two of the best Batman movies ever made.
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3. Arkham Asylum: A Serious House on Serious Earth
Published in: A Serious House on Serious Earth by Grant Morrison and Dave McKean
So many writers are defined by their ability to write Batman's rogues gallery almost more than their ability to write the Dark Knight himself. Before Grant Morrison's lengthy run with the Caped Crusader, they explored not just Batman's villains but their mythic prison as well: Arkham Asylum.
Playing to Batman's gothic sensibilities, Morrison enables readers to uncover the history of the Arkhams along with Bruce Wayne as he seeks to wrest the hospital back from Joker's control. And we get to see that Arkham Asylum is so much darker than we've ever realized. Of course, the big draw is also Dave McKean's unsettling, painted artwork. There's never been a Batman book that looked quite like this before or since. It's also a great taster if you fancy exploring the best Joker stories as well!
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2. Batman: The Dark Knight Returns
Published in: Batman: The Dark Knight Returns #1-4 by Frank Miller
If there's a creator who has cast the longest shadow on the Bat, it's Frank Miller. For a time, there might have been no greater creator in comic books that was able to redefine characters for decades. In terms of the best Batman comics, this is the one that most fans will point to as their favorite because it's not just about the man; it's about the impact of his legacy.
Miller's story is action-packed and fun, but more than anything, it's about why superheroes inspire us. In his vision, even Superman has become a part of the machine. But hope still exists in a girl willing to put her life on the line to fight back. And in turn, she inspires Bruce Wayne's return. Miller was making a bold but simple statement: we can all be Carrie Kelly. Because if we're inspired by Batman, then we should be inspired to help those in need and fight back.
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1. Year One
Published in: Batman #404-407 by Frank Miller and David Mazzucchelli
In a post-Crisis on Infinite Earths DC Universe, there was room for a retelling of Batman's origin, and writer Frank Miller and artist David Mazzucchelli told the quintessential version in Batman: Year One. Miller made changes that lined the Dark Knight up more with where he would eventually get to in The Dark Knight Returns and presented Batman simply as a brave man trying to do what's right.
He took away some of the more fantastic elements of Bruce's origins and reminded us that there's more to Wayne than just the best Batman gadgets. And as Bruce learned to be Batman, Jim Gordon learned what it meant to be a cop in Gotham City. Miller took the two men on journeys that would test their resolves, but that ultimately maintained something that is a throughline in all of Miller's best work: hope.
Meanwhile, David Mazzucchelli grounded the story in a noir realism that helped underline the grittiness of those early days in Gotham. Mazzucchelli is a huge part of why 'Year One' remains not just one of the most enduring post-Crisis Batman comics but one of the most enduring of all time.
Read more about the best Batman comic of all time in Newsrama's in-depth retro Batman Year One review.
Still not enough Batman for your buck? Well, read our The Penguin review, or check out this guide ranking the best Batman games of all time.
