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Like Tony Manero, Chilean director Pablo Larraín’s previous film with lead Alfredo Castro, this is a chilling portrayal of a deeply unsympathetic protagonist.
Unfolding in Santiago during the 1973 military coup against President Allende, it follows the ghostly figure of coroner’s assistant Mario (Castro), who begins an affair with the washed-up cabaret dancer (Antonia Zegers) from across the street.
Shot on grainy 16mm in a slurry of beiges, browns and greys, it’s an expertly controlled work.
Building to a horrifying Vanishing-style conclusion, Larrain lays bare a society poisoned by violence.
Breaking Bad baddie Giancarlo Esposito joins the MCU, and no, not as Professor X
There are two impossibly massive Skyrim mods remaking classic Elder Scrolls RPGs, and both had some extensive, gorgeous gameplay to share this week
Manor Lords dev suspects players think "farming sucks" because of other city builders and isn't sure "players actually understand each region has its strengths"