TÁR review: "A towering performance from Cate Blanchett" By Jane Crowther published 1 September 22 review
White Noise review: "Noah Baumbach's latest marriage story is full of surprises" By Leila Latif published 31 August 22 review
Stillwater review: "Matt Damon’s sturdy presence just about holds it together" By Neil Smith last updated 30 August 22 Review
Army of Thieves review: “A fun, unessential addition to Netflix’s new franchise” By Jack Shepherd last updated 26 August 22 Review
The Hitman's Wife's Bodyguard review: "If you can stomach the violence, this ticks the dumb-fun summer-movie box nicely" By James Mottram last updated 24 August 22 Review
Bullet Train review: "Brad Pitt starrer is a zippy, enjoyable ride" By Paul Bradshaw published 2 August 22 review
Nope review: "A thrilled 'Yup!' for Jordan Peele's latest" By Jamie Graham published 20 July 22 review
The Gray Man review: "Hangs some ace action on a threadbare plot" By Jamie Graham published 14 July 22 review
Moonage Daydream review, Cannes: "A David Bowie doc like no other, about an artist without equal" By Jordan Farley last updated 13 July 22 Review
Thor: Love and Thunder review: "Unashamedly absurd and wildly entertaining" By Jordan Farley published 8 July 22 review
Elvis review: "Baz Luhrmann, like Elvis, knows how to put on a great show" By Jordan Farley published 24 June 22 Review
Lightyear review: "Fun, but doesn't take us to infinity and beyond" By Jamie Graham published 14 June 22 review
Jurassic World Dominion review: "Less triumphant send-off than passable retread" By Neil Smith published 8 June 22 review
Showing Up review, Cannes: Kelly Reichardt's latest "as meticulous as ever yet feels off" By Neil Smith published 27 May 22 Review
Close review, Cannes: "The closest thing we’ve seen to a breakout arthouse hit" By Neil Smith published 27 May 22 Review
Funny Pages review, Cannes: Safdie-produced A24 comedy "appears to have a direct line to the nervous energy of early ’70s cinema" By Neil Smith published 24 May 22 Review
Crimes Of The Future review, Cannes: “Feels authentically part of the body horror king’s uniquely weird oeuvre” By Jordan Farley published 23 May 22 Review
Decision To Leave review, Cannes: “An achingly romantic throwback to noirs of yesteryear” By Neil Smith published 23 May 22 Review