Godsend review

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Some terrible, terrible things have been done in the name of science. Dr Frankenstein sought to banish Death and unleashed a lumbering, flat-headed monster. Jeff Goldblum tried revolutionising planetary travel and ended up a pink, pukey pulp. And Michael J Fox's time-puncturing DeLorean antics wiped out several entire realities.

But all of this God-playing tinkery pales into insignificance when compared with the terror of cloning. Why? Because cloning's - - ooooh - - topical. At least that's what Brit director Nick "The Hole" Hamm and scripter Mark Bomback must have been thinking when they mixed up the stinky brew that is Godsend. To be fair, the whole `Should we? Shouldn't we?' issue of human cloning does make for interesting debate, and potentially engaging drama. But they've wasted it on a limp, enemy-within thriller centred on a Damien-lite clone-kid called - - obvious name alert! - - Adam (Bright).

An intriguing science-faction set-up fluffed into a second-rate, evil-kiddie thriller. Godsend has one thing in its favour: it's easily forgettable.

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