Pusher review

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Hugely successful in it's native country last year (and second only to Mission: Impossible at the box office), Nicolas Winding Refn's Pusher can be best described as a Danish Mean Streets. Like Scorsese's early classic, Refn's film revels in grey-hued sleaziness, portraying a side of Copenhagen (where the film is set) that you won't find in any holiday brochure.

It's here that we meet Frank (Kim Bodnia), a drug pusher who loves his job and the money it provides him with to eat in posh restaurants and drink Armagnac with his partner-in-crime Tony (Mads Mikkelsen). Both work for Milo (Zlato Buric). Suddenly Frank's idyllic world is shattered when a major drugs deal, one he promises will settle all his debts, goes horribly wrong, leading to Frank not only losing the money and dope, but getting busted too. Eventually set free, but not off the hook, Frank becomes a hunted man with Milo, who now wants his money back, hot on his tail.

There's something rotten in Denmark, as Mean Streets meets GoodFellas in Copenhagen, and while it could never rival either of the above, this striking, powerfully gritty tale about a week in the life of a drug dealer is still well worth seeing. A promising debut.

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