Citizen Kane review

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

When the American Film Institute announced its list of the 100 greatest movies last year, nobody was that surprised to see Citizen Kane towering over the other 99 choices, looking down at them from its comfy top slot. In fact, ask anyone what they think is the greatest film of all time and chances are they'll say the same - even if they haven't seen it. So is it finally time to knock Kane off its skyscraper-high pedestal? It's just some old, crackly black-and-white flick, innit?

Well... no. As tempting as it is to engage in a bit of controversy-baiting iconoclasm, there's no way you can slate it. More recent `classics' (The Godfather, GoodFellas, Pulp Fiction) may strike more of a chord with today's cinemagoers, but Kane is the granddaddy of them all. You can read essay after essay, article after article as to why: the innovative, flashback-structure of the script; the bold use of sound; the amazingly convincing make-up; the fact that Welles, still only 25, co-wrote, directed, starred in and produced it, excelling in each role. But, most tellingly, Welles decided to share his title card with cinematographer Gregg Toland, revealing just how important the look of the film was.

Great dialogue, great cinematography, great acting, great music, great movie: Citizen Kane is the biggest cinematic landmark since pictures first started moving. Never seen it on the big screen? Then bathe your eyes in Welles' magnum opus.

The Total Film team are made up of the finest minds in all of film journalism. They are: Editor Jane Crowther, Deputy Editor Matt Maytum, Reviews Ed Matthew Leyland, News Editor Jordan Farley, and Online Editor Emily Murray. Expect exclusive news, reviews, features, and more from the team behind the smarter movie magazine.