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Articles by: Philip Kemp

An image from The Girl in the Spider's Web

The Girl in the Spider's Web review: "High on adrenaline, low on subtlety"

By Philip Kemp

MOVIE REVIEW

Darkest Hour review: "An Oscar-aimed turn from Gary Oldman anchors this WW2 portrait of Churchill"

By Philip Kemp

Movie review

The Killing of a Sacred Deer review: "Disturbing and often distressing, but compulsively watchable"

By Philip Kemp

Movie review

Elle review: "Paul Verhoeven and Isabelle Huppert are at the top of their game"

By Philip Kemp

Movie review

Sully review: "A skilfully made reconstruction of a recent real-life feat"

By Philip Kemp

Movie review

Is it just me, or are the best performances the unshowy ones?

By Philip Kemp

Opinion

When Marnie Was There review

By Philip Kemp

Review

Bridge Of Spies review

By Philip Kemp

Movie review The art of knowing when to swap…

Brooklyn review

By Philip Kemp

Movie review Girl meets world.

The New Girlfriend review

By Philip Kemp

Movie review Cross purposes...

Woman In Gold review

By Philip Kemp

Movie review Painting by numbers.

While Were Young review

By Philip Kemp

Movie review This is fortysomething...

The Water Diviner review

By Philip Kemp

Movie review Russell Crowe’s a man on a post-war mission...

Point And Shoot review

By Philip Kemp

Movie review Fake it like a man

The Hayao Miyazaki Boxset review

By Philip Kemp

DVD review Cloud pleasers

Third Person review

By Philip Kemp

Movie review Kunis vs Franco

Standby review

By Philip Kemp

Movie review Pre-flight romance...

Playtime review

By Philip Kemp

Tati architecture

Gone Too Far! review

By Philip Kemp

Two brothers finally meet

M review

By Philip Kemp

The sound of Fritz

Charulata review

By Philip Kemp

Another chance to see Ray's 1964 classic

Belle review

By Philip Kemp

The story of Dido Elizabeth Belle

A Million Ways To Die In The West review

By Philip Kemp

How the west was (mostly) fun...

A Farewell To Arms review

By Philip Kemp

Borzage's 1932 Hemingway adaptation returns to the big screen

The Two Faces Of January review

By Philip Kemp

Triangle missing a few angles…