Bethesda keeps saying The Elder Scrolls 6 production is going well, which is reassuring, but it doesn't make the clock tick any faster. So one fan decided to be productive with their waiting room boredom and started creating their own indie version of a The Elder Scrolls game – The Indie Scrolls.

The, apparently, solo developer has been tracking their development progress since March 13 across social media, announcing their intentions via Twitter post: "Day 1 making my own TES until TES 6 goes out!" The developer has now reached Day 116 of The Indie Scrolls in Unreal Engine 5, and the pixel art fan game is looking lovely with evocative character design and an array of fantasy creatures.

"I have great plans that involve an Empress, an Evil mage and time travels (maybe)," The Indie Scrolls shares in a Twitter reply. "I don't have a strictly roadmap, but at the moment I'm doing all the characters and base systems/mechanics!"

Some of the characters The Indie Scrolls has shared so far includes an irate, gold-finned mermaid, a gladiator "Dogman" that attempts to strike the player with his leather bull whip, and an armored skeleton that topples into a heap of yellow bones once defeated. The enemies with more flesh on them, instead, collapse in what looks like a spill of bloody barbecue sauce.

It's clear The Indie Scrolls is in its earliest stages of existence – remember, it's only Day 116. But I'm glad to see evidence of its developer maintaining the balance between silly make-believe and real high fantasy that Bethesda's genuine Elder Scrolls games handle so well.

"The goal here is to make a modern TES in terms of system and mechanics, but with an old school graphics," says The Indie Scrolls on Twitter. Great, now we have to wait for The Elder Scrolls 6 and this inspired fan game.

The Elder Scrolls 6 development roadmap is unaffected by Xbox's mass layoffs, Bethesda says, despite devs' fears of delays and crunch.

We won't see a new game from Clair Obscur: Expedition 33 studio Sandfall Interactive for a few years, it seems, but the studio's leaders are confident it will be something "a bit crazy."

Speaking with Automaton, Sandfall CEO Guillaume Broche reexamines the studio's plans for its next game – only its second release after the breakout success of Expedition 33, which was largely made by a team of junior staff.

"It's too early to say anything precise, but we had a lot of fun creating Expedition 33, and it's a game that we all love internally, so we want to find this flame, this passion again for the next project," Broche says.

"Expedition 33 was quite a long project too. Especially for me, it was six years. For Tom it was five and a half, and for most of the other members it was between four and five years. That's also why we want to let ourselves dream again and be creative again. We're going to go a bit crazy."

Don't interpret that craziness as a massively inflated scope, however. Broche affirms that Sandfall wants to stay small. Currently, the studio has around 26 people, which he calls "more than enough" for pre-production on the next game. If they cracked open the Expedition 33 war chest and hired a ton of people to make a gigantic game, Broche reckons they'd lose part of the team's charm.

"If we know we can't do everything, we have to focus on what matters, and I think that philosophy is what made Expedition 33 what it is," he says. "It feels very focused, everything has a purpose, and everything is made for a reason. It doesn’t feel like something too big for its own good."

Earlier this year, Broche commented on the second album syndrome facing whatever game follows Expedition 33. Unbothered by sales comparisons or critical expectations, he said "we're just going to do what we love again" as "we didn't make the first game to please anyone" and that worked out pretty alright.

Sandfall staff have said as much since the end of the GOTY season that saw Expedition 33 showered in trophies. COO and production director François Meurisse likewise said the team's next game will just focus on "what we think is cool," not what's expected to perform or, as writer Jennifer Svedberg-Yen put it, "please a lot of people."

Clair Obscur: Expedition 33 leads call PlayStation killing discs a "sad decision" after buying boxed copies of their own RPG – "For us, physical was something special."

The industry is still reeling from Sony's announcement that it's ending physical disc production for PlayStation consoles in 2028. There's been a lot of pushback, and now the developers behind Clair Obscur: Expedition 33 have added their two cents, lamenting the choice as a reductive one for the medium.

"Personally, I find it super sad because I really like video game stores," Guillaume Broche, creative director on Clair Obscur, tells Automaton. "And even if nowadays, I play mainly on PC myself, we have a lot of people on the team who play on PS5 and love to collect physical discs. I think it's part of the beauty of art too – that it's something tangible."

He concedes that in terms of business, he "can understand why it may make sense," but "it's a sad decision" for the overall creativity of the industry. Tom Guillermin, co–founder and CTO of studio Sandfall Interactive, revealed actually doing a physical run for Clair Obscur was something the team had to push for.

"A physical release adds more constraints because you have to account for the production time of the physical items, and you also earn less money per copy," he explains. "But for us, physical was something special. We also felt that the game could be special to players."

Doing a physical run is an increasingly large labor of love. The ubiquity of digital storefronts is pushing game discs into being a more niche interest similar to vinyl, except people aren't really buying game discs. Still, discs are important because they're timeless and collectible, and it feels better to have a game you love in your own two hands.

I've bought several games I love more than once because I got the physical version after playing the digital one. Nobody can turn the servers off on the disc I own, and I like having it on display.

"So even though it made things harder and meant less money per unit, it was important for us to provide players who want to have the physical game in their hands with an option," Guillermin says. "Because that's what we value as players too."

He's not kidding on that last part, because once Clair Obscur was on actual store shelves, Sandfall literally went out and bought it. "After launch, we went to a video game store to buy our own game. Just as a gesture," Broche recalls.

"Another strong memory I have is when someone from Japan sent me a picture [of our game] from a video game store, in Akihabara I think, in Japanese writing and all," he remembers. "I felt like a kid when I saw it. I was like 'Yeah, it's real!' It starts feeling real when you see it in stores."

Clair Obscur: Expedition 33 devs were told that "no one" would like one of the RPG's best systems before it launched, lead says: "We didn't care"

Resident Evil 2 is now the series' best-selling game, while a new sales milestone sees the Capcom horror series pass Final Fantasy.

In Capcom's latest earnings report, the company announced that Resident Evil 2 – that being the 2019 remake, not the 1998 original with the same name – has sold an extra 1.42 million copies since the last report, sending the game to lifetime sales of 19.75 million copies. And despite Capcom's decision to split every different version of a game into different parts of its platinum titles page making it seem like this happened long ago, Resident Evil 5 has finally been dethroned (via DuskGolem).

Between the original Xbox 360 and PS3 game, its Gold Edition, the PS4 and Xbox One re-release, and Switch editions of Capcom's divisive horror title, Resident Evil 5 had sold 19.01 million copies the last time Capcom detailed its sales in an earnings report earlier this year.

However, Resident Evil 2's spot at the top is definitely under threat as Resident Evil 4 remake is already at 16.04 Million copies sold despite 2's four-year headstart. Not to mention Resident Evil 4 sold 2.43 million copies in the last three months, which is over 1 million more than 2 sold. Resident Evil Requiem is also killing it as it sold a further 1.14 million in the last three months, and with momentum like that and big sales down the line, it also has a chance to make it to the top.

Capcom also confirmed that the Resident Evil series as a whole has sold 213 million copies since it debuted 30 years ago. That means it has surpassed Final Fantasy, which Square Enix claimed had sold 212 million as of last month. This means that Resident Evil is the ninth best-selling game franchise of all-time, and the biggest-selling Japanese game series not published by Nintendo, and with sales like Mario and Pokemon have, I'm afraid that's probably the closest it will get.

"Resident not-Evil" is Resident Evil 2 director's joke cozy life sim pitch starring a retired Leon Kennedy fishing, baking, and "inviting his old friends over for barbecues"

Halo's greatest strength is simplicity. Super-soldier protagonist Master Chief is an immovable object, the Covenant's alien invaders an unstoppable force, and hitting them together like action figures has created 25 years of entertaining FPS hijinks. Returning to the first game via Halo: Campaign Evolved, little has changed – even when it has.

The remake features a prologue from developer Halo Studios, with three all-new missions that see Chief tear through a Covenant ship before the events of the original game. The prologue is Halo Studios' first original creation since the studio's rebrand from 343 Industries in 2024, which means we're effectively getting a glimpse into the series' future while fresher players are given the perfect introduction to Master Chief and Halo's setting.

Shipping it

Aboard the Covenant's vessel, you're thrown straight into the carnage. It's an excellent setting for an FPS, particularly one of Halo's straightforwardness. Squeezed into the ship are cramped service corridors, grand halls, and even a domed Earth-like desert biome – all unmistakably alien, but designed with perfunctory violence. Ornate balconies can be a vantage point for Jackal snipers or a haven for Chief to blast Brutes from a distance, and every door is a potential entry-point for more aliens – and just about the only place you can create a chokepoint, if you're quick enough to frag a gaggle of Grunts before they can disperse. Even in a linear shooting gallery like this, I always feel moments away from being overrun on all sides.

The developer also recognizes the importance of Master Chief's momentum, which is something I clocked while playing the original game's remade levels. Standing still is a surefire way of being pelted with grenades, leaving you to push forward as your only option – if only to pluck a plasma rifle from a dead brute, as limited ammo makes every weapon a disposable tool. I'm pinballed from gun to gun, drawn further out of position until I look back and realize I've completed most of the prologue this way. The original Halo campaigns were defined by their breathlessness, and it's bracing to see Halo Studios lean into the same dynamic so effectively.

As someone who has lapsed from the series since the Xbox 360 days, the new prologue also serves as a nice way into Halo at its simplest. A Star Wars-style crawl establishes humanity's war against the Covenant, while Master Chief is endearingly portrayed as both stoic hero and tongue-in-cheek action film caricature. "Chief – you ever get tired of being the strong, almost-silent type?", he's asked during a lull between shootouts. Long pause. "No."

By remaking the first Halo after a major development overhaul, Halo Studios seems to be looking back to find its way forward. Its originality in the prologue shows the developer certainly has the shooter chops to carry Halo forward – five minutes with the CE Magnum is enough to confirm that – but the bigger question is how this action will be framed going forward. Does the prologue's claustrophobic structure mean we'll see more traditional shooter levels in future Halo games, or will they build upon Halo Infinite's open-world experimentation?

Whatever the answer, I just hope the next game from Halo Studios is wholly original. After all: what's Halo if not moving forward?

Not sure where to start? Here's how to play the Halo games in order

Making a massive RPG like The Blood of Dawnwalker requires striking a balance between understanding that such projects require time and investment, and not letting financial targets distract from the creative vision. In fact, as far the game's director is concerned, worrying about money is a surefire way for a release to flounder.

In an interview with Radio Times (below), Konrad Tomaszkiewicz, the director of The Blood of Dawnwalker and co-founder of studio Rebel Wolves (and a CD Projekt Red veteran who directed The Witcher 3), explains his perspective on sales targets. "We don't want to measure our games in millions of sales," he says.

"I mean, you need to have money, of course, to create the next part," he continues. "But we want to create those challenges in front of us to fulfil our artistic and creative needs."

The real goal is to garner a positive reception from the game's fanbase. "I would prefer to measure the game in the opinions of fans," Tomaskiewicz adds, "and the energy when they like the game. If possible, maybe some awards for us, which will be achievements for us as artists."

Strong aspirations, but good principles upon which to build a game. The Blood of Dawnwalker's an ambitious debut; a horror RPG set in the 14th century where a half-human, half-vampire has 30 days to save his family. It's high-concept, and stands out as a result.

In Tomaskiewicz's mind, "the sales are secondary," because he has a core belief that, "if the game is good there will be the sales," and if you're worried about shifting copies from the jump, your project is doomed. "If you are thinking about sales as you create the game, when you try to make the game to match the sales, it will fail at the start," he says, definitively.

Given that Tomaskiewicz directed The Witcher 3: Wild Hunt, he's got on the ground experience shipping a large game while maintaining the team's creative integrity. Geralt's last big adventure is testament to the notion that people gravitate to good games if the execution is there.

We have just over a month to wait before we find out if The Blood of Dawnwalker will be another hit. Regardless, the real reward will be seeing who actually connects with the ideas Rebel Wolves is putting out there.

Former Witcher 3 devs "can't" and "don't want to challenge" bigger games and companies with new RPG The Blood of Dawnwalker, and staying smaller let them "focus on the player's agency."

Danganronpa's creator Kazutaka Kodaka has said that a sequel to the high school killing game was initially turned down following the original game's poor release sales. The writer even considered quitting his job, until the opportunity arose to keep working on the series.

Posting on Twitter, and as translated by GamesRadar+, Kodaka recalls how studio Spike Chunsoft – then known as Spike – turned down a Danganronpa sequel when the first game didn't make much money. The visual novel was originally a PlayStation Portable exclusive and so it was reportedly difficult for it to make its development budget back.

"After Danganronpa launched it didn't generate much revenue, so at that time we were told something like, 'we're not making 2,'" Kodaka says. "The team was assigned to different projects and they were spread out across the company."

Kodaka had previously worked on existing series like Clock Tower, Dragon Ball, and Detective Conan, and was eager to continue working on his own games. "My eyes were opened to the joy of working on something original and I didn't want to work on another project," he says. "I couldn't decide what to do and even considered quitting, but then I heard talk of a Danganronpa Zero light novel, so I went straight to my boss. That's how I continued working on the series."

Working on Danganronpa's prequel novel gave the series' first game time to generate more sales, and the beloved sequel was finally greenlit. "Danganronpa was selling steadily and at some point there was talk of making a second game," Kodaka says. "As I was writing Danganronpa Zero, I revisited [the series'] vague setting, so the foundation of the second game's story was easy to craft."

Kodaka continues to say he went from the "gloomy, claustrophobic" atmosphere of the first game to "shonen manga-esque steamy plotlines" for the second, before going into the weeds about how each murder mystery was crafted. Despite the fact that Danganronpa 2 almost never existed, it's many fans' favorite entry in the series, and will receive its own alternative timeline in Danganronpa 2x2 in 2027.

Danganronpa creator's massive tactical RPG has secretly been two games all along, which, y'know, makes sense considering the enormity of 100 routes.

If you're looking to play the Halo games in order, I've brought together this handy guide to break it all down for you.

Here, you can find all of the major Halo games and some off-shoots compiled below in two different orders. Starting with the release date order first, you can find a list that gives you an overview of the series as it originally launched, from its beginnings in 2001, right up to the latest new game in 2026 with the arrival of the remake, Halo: Campaign Evolved (which you can find out more about in our Halo: Campaign Evolved review).

For those of you looking to explore the series in narrative order, I've also detailed how to play the Halo games chronologically, with overviews of where each entry sits in the Halo timeline and if or how the events of the games connect story wise. Of course, alternatively, you can also explore the series by checking out our ranking of the best Halo games if you're after the highlights, too. But for an overview of how to play the Halo games in order, read on.

How to play the Halo games in release order

If you want to play the Halo games in release order, you can find a helpful list breaking down all of the games (including some major spin-offs) below, with the original launch years they came out in.

• Halo: Combat Evolved (2001)
• Halo 2 (2004)
• Halo 3 (2007)
• Halo Wars (2009)
• Halo 3: ODST (2009)
• Halo Reach (2010)
• Halo 4 (2012)
• Halo: Spartan Assault (2013)
• Halo: Spartan Strike (2015)
• Halo 5: Guardians (2015)
• Halo Wars 2 (2017)
• Halo Infinite (2021)
• Halo: Campaign Evolved (2026)

How to play the Halo games in chronological order

If you're instead looking to play the Halo games in chronological order, the list looks quite different. While, for example, Halo: Combat Evolved was technically the very first Halo game to release, later Halo games take you to earlier points in the Halo timeline of events. So, if you're looking to experience the narrative of the series chronologically, I'll break it down for you here.

With both a list so you can see the order at a glance, as well as a more detailed overview of the timeframes and how it ties into the overall narrative, you'll also find current platforms listed where you can still play these today.

• Halo Wars
• Halo: Campaign Evolved (prologue missions)
• Halo: Reach
• Halo: Combat Evolved
• Halo 2
• Halo 3: ODST
• Halo 3
• Halo: Spartan Assault
• Halo 4
• Halo Spartan: Strike
• Halo 5: Guardians
• Halo Wars 2
• Halo Infinite

1. Halo Wars (2531)

Halo Wars is the first real-time strategy game set in the Halo universe, and it's also technically the first game in the series narratively speaking. With the events of Halo Wars taking place some 21 years before Halo: Combat Evolved (and, of course, its remake, Halo: Campaign Evolved).

Taking place in the year 2531 during the tail-end of the Harvest campaign – which revolved around trying to reclaim the colonist world of Harvest that's been ravaged by the alien Covenant empire (who are determined to destroy humanity). You play as one of various leaders and take command of either UNSC military units who are part of the Red Team, or the Covenant, and get thrown into the conflict. The parasitic threat known as The Flood also factors into the campaign.

2. Halo: Campaign Evolved (2551 - Prologue missions)

For the most part, Halo: Campaign Evolved serves as a shiny new remake of Halo: Combat Evolved, but there are some new bonus prequel missions introduced that place it earlier in the timeline narratively.

Taking place a year before the main story of Campaign Evolved (and Combat Evolved) and prior to Halo: Reach, these Operation Meteorite missions explore a self-contained story featuring Master Chief and Sergeant Johnson teaming up to infiltrate and investigate a Covenant research vessel above the colony of Promise. It mostly establishes that Chief and Johnson were best pals before the events of Halo 1, but also introduces a new Prophet character, who may be more important in the inevitable Halo 2 remake.

So, if you do want to play the Halo games in order, it could be worth tucking into Campaign Evolved over Combat Evolved, or play it before you play the original if you're keen to try both. However, you won't be missing much by skipping these prequel missions and going straight to the next game.

3. Halo: Reach (2552)

Halo: Reach brings forward the Halo timeline from Wars, but is still a precursor to Halo: Combat Evolved. And rather than being an RTS like Wars, it's an FPS like the majority of the series.

Taking place a few weeks before the events of Combat Evolved in the year 2552, the game explores the Fall of Reach, a key human colony planet that served as one of the last bastions of military strength against the Covenant.

The campaign sees you playing as super solider Spartan B312 (aka Noble Six), a member of the elite Noble Team, who are sent to look into a distress beacon on the planet. It soon becomes apparent that the Covenant are on Reach and you'll get swept up in countless battles against the alien invaders as they continue their devastation from the Harvest campaign. Reach's ending then almost immediately leads into the start of Halo: Combat Evolved.

4. Halo: Combat Evolved (2552)

The FPS that kicked off the Halo Series, Combat Evolved (and its 2026 remake, Halo: Campaign Evolved), bring the events forward from Halo: Reach some weeks later. Still set within the same year of 2552, Combat Evolved follows Spartan John-117, better known as Master Chief, who begins the game in cryo sleep aboard the UNSC ship Pillar of Autumn after the Fall of Reach.

The Pillar of Autumn is quickly overrun by the pursuing Covenant, and Captain Jacob Keyes charges Master Chief with protecting the ship's AI Cortana from falling into the hands of alien forces. But after you crash onto an ancient, mysterious ringworld (aka a Halo) known as Installation 04, you'll soon find yourself fighting back against the Covenant forces that revere it and uncovering its true purpose.

5. Halo 2 (2552)

Also taking place in the year 2552, Halo 2 unfolds following the events of Combat Evolved. But rather than solely focusing on Master Chief, Halo 2 also explores a Sangheili warrior called Thel 'Vadam who holds the title of The Arbiter.

Playing as both characters at different points in the narrative (before their plotlines eventually converge), the game sees the Human-Covenant war escalate, with the aliens now invading Earth. Master Chief starts the fight aboard Cairo Station before eventually battling through the city of New Mombasa, which sets up what's to come in Halo 3: ODST. Meanwhile, the Arbiter contends with The Flood on another Halo known as Installation 05.

6. Halo 3: ODST (2552)

Halo 3: ODST actually takes place during Halo 2 and acts as a prequel of sorts to Halo 3. Taking on the role of an Orbital Drop Shock Trooper called Rookie, you set out to find out the motivations behind the Covenant's attack and invasion of the city of New Mombasa on Earth.

Shaking up the combat, ODST introduces some stealth as you try to survive against the overwhelming enemy forces. Structurally, it's also quite different to other games, featuring some open world exploration as you explore the ruined streets of New Mombasa at night looking for clues as to where your missing squad mates are, which lead into more linear missions that show the chaos of the Covenant's invasion. Overall, it builds up a more complete picture of the Battle for Earth prior to the events of Halo 3.

7. Halo 3 (2552)

Halo 3 then sees out the year 2552 with the return of Master Chief, who's back in the leading role. The Arbiter also makes another appearance, although now he's only playable in co-op multiplayer. Set a few weeks after the events of Halo 2, the third entry follows on from ODST to bring the original Halo trilogy to a close.

After crash landing into an African jungle, Master Chief sets out to finally finish the long fight against the Covenant. As you battle against enemy forces, you also work to uncover a secret that could turn the tide of the fight. But along the way, you'll also have to contend with the threat of The Flood, too. With Halo 3 officially wrapping up the Human-Covenant War, the game ends with Master Chief entering cryo sleep on the UNSC Forward Unto Dawn ship – which is left adrift in space – to await rescue.

8. Halo: Spartan Assault (2554)

Set between the events of Halo 3 and Halo 4 in the year 2554, Halo: Spartan Assault is an off-shoot entry in the series that plays as a twin-stick, top-down arcade-y shooter rather than the mainstay FPS format of the core trilogy. Originally released on PC and mobile before coming to Xbox 360 and Xbox One, it features over 30 campaign missions.

Its concept revolves around a training simulation tool for Spartans. As you try to progress your career as a prospective Spartan, you'll be drawn into key battles that take place within the timeline. As the games go, this is one of those off-shoot you don't really need to play to follow the overarching narrative of the main series.

9. Halo 4 (2557)

Picking up where Halo 3 left off, Halo 4 takes place less than a handful of years later, and follows Master Chief as he's awakened by Cortana on the Forward Unto Dawn ship – which is still adrift. Cortana, now several years old, is starting to suffer from rampancy, making her unstable.

The duo eventually find themselves on the Forerunner world known as Requiem, where soon enough, he finds himself facing the Covenant and another threat in the Forerunners (another advanced alien species) with the mighty Didact as their commander.

10. Halo Spartan: Strike (2557)

Just like Halo Spartan: Assault, Halo Spartan: Strike is another off-shoot twin-stick shooter set in the Halo universe. Narratively speaking, it does jump a little in terms of the timeline, with it including events that took place in 2552, but it's technically set in the year 2557. As another smaller experience that doesn't hold as much weight as the mainline games, this is another one you could miss without much trouble.

But if you want to experience it, this is where it sits within the timeline of events, and it kind of mirrors the concept of Assault in that it's another series of missions centered around a tactical simulation training tool that was originally developed for mobile.

11. Halo 5: Guardians (2558)

Halo 5: Guardians takes place in the year 2558 after the events of Halo 4, and puts you in the role of both Spartan Jameson Locke, who's a part of ONI (Office of Naval Intelligence), and Master Chief. When series hero Master Chief goes AWOL after going after Cortana with his Blue Team Spartan allies, you as Locke set out to bring him back with Fireteam Osiris.

Playing as both characters at different points throughout the campaign, our original Halo 5: Guardians review picked at its story, which doesn't feel as cohesive or impactful as its predecessor, with much of its events feeling more inconsequential in the grand scheme of things.

12. Halo Wars 2 (2559)

Just like the first Halo Wars game, Halo Wars 2 takes the series back to the realms of strategy and sees the Spartan Red Team awaken from cryo sleep 28 years after the events of the first Wars game. Set in the year 2559, it takes place in the timeline following the events of Halo 5 and sees you play as a leader of your choice as you command your own army and take on a new threat in the Banished, a Brute-led faction born out of the Covenant.

With the option to play as either humanity, or the Banished in the story, you build up bases, take charge of troops and vehicles, and navigate battles in missions centered around the Ark – a Forerunner installation first seen in Halo 3

13. Halo Infinite (2560)

As the most recent game to release in the Halo series (outside of the Campaign Evolved Remake), Halo Infinite is also the latest entry in the timeline, with events unfolding in the year 2560. Taking place roughly 18 months after the events of Halo 5: Guardians, Infinite sees you assume the role of Master Chief as the war against the alien Banished faction has effectively been lost.

With Halo Infinite being set on a Halo ring known as Installation 07 (Zeta Halo) which is coming back online and poses another threat, Master Chief works to shut down the Halo. Cortana's actions from Halo 5 are largely glossed over and, while she features in the story, Master Chief instead finds himself paired with a new AI known as The Weapon. If you want a more in-depth explanation of the storyline, you can check out our Halo Infinite story explainer.

Looking for more recommendations? Check out our pick of the best FPS games.

A big change is happening at Dungeons & Dragons owner Wizards of the Coast. John Hight, current president of the company, is leaving his position soon, and the process of finding his replacement has already begun.

As revealed in a filing for the US Securities and Exchange Commission, Hight is stepping down on September 1. This comes just two years after he took on the role, in August 2024, and a tenure where he oversaw some contentious strategizing.

He's overseen the transition to D&D 5.5 edition and put a big emphasis on the Universes Beyond initiative, helping launch crossover after crossover within Magic: The Gathering. Although some of these partnerships were well-received, like The Lord of the Rings, the general push for novelty isn't completely beloved within the wider community.

Wizards has been aware of this, but believes it's better to lean into evolving the card game rather than backing away. "Once the toothpaste is out of the tube, it's just not going back in," Mark Rosewater, head designer on Magic: The Gathering, wrote on a personal blog earlier this month.

"Whether you like or dislike Universe Beyond, it has fundamentally changed the nature of what the game is," he added. "It’s taking the game to a whole new level, in both scope and awareness, much like Commander forever changed how people saw and interacted with the game."

Hight brought a lot of experience with fantasy IP, since he moved over to Wizards from Blizzard, where he served as general manager of Warcraft for over a decade. According to comments provided to GamesIndustry.biz, Hight will continue with Wizards in an "advisory capacity," and the search for his successor is now ongoing.

"There is no change to the strength of the Wizards business," says the statement. "Magic: The Gathering and Dungeons & Dragons continue to perform incredibly well, consistent with our most recent earnings release, and our upcoming 2027 video game slate, including Exodus and Warlock remains on track."

That last line stands out too, since Hasbro reported a $56 million loss on canceled games just recently. Warlock and Exodus represent a considerably trimmed down slate of releases from the corporation, amid growing uncertainty about its investments in the industry.

Skyrim and Stardew Valley mods weren't enough: rotund icon Jimothy the viral raccoon invades D&D as a Wizards-approved "cryptid" who is "hurling garbage and making friends."

Capcom is shouting out Pragmata's sales success as a big reason why the company's year-on-year profits have increased.

In the company's latest earnings report, Capcom notes an 83% increase in net sales year-on-year, and noting: "Unit sales of all-new IP Pragmata and catalog titles performed well, driving revenue and profit up."

Capcom confirms that – as of June 30, 2026 – Pragmata has sold over 2.5 million copies since it was released back in April 2026, while Resident Evil Requiem sold a further 1.14 million since sales were last reported, bringing the latest game in the series up to eight million copies sold. This mixed with strong sales for older Resident Evil titles, bringing the series to 213 million copies sold, and making it the best-selling Japanese game series not published by Nintendo or Sony.

In a press release, Capcom once again singles out Pragmata as a key factor in this increase in sales, saying: "Digital Contents business drove earnings with 23.81 million units in total sales volume, which exceeded sales of 14.16 million units for the same period of the previous fiscal year. This included sales of all-new IP PRAGMATA, which surpassed 2.5 million units worldwide following a positive launch reception due to increased brand awareness achieved through robust promotional activities."

Since launch, Capcom hasn't exactly kept its cards close to its chest regarding how it feels about Pragmata. It confirmed that it will consider "developing it into a series," after Pragmata hit two million copies within its first month and says it will continue making new IP. The push for new IP is something Devil May Cry and Bayonetta creator Hideki Kamiya credits Capcom's success with, while Pragmata director Yonghee Cho told us in May that he would "of course" love to make a sequel to the game.

In a games industry dominated by safe bets, Capcom keeps getting weird with it.

The Halo Campaign Evolved Terminals can all be obtained with some thorough searching, but plenty of them are very easy to miss – and don't think your knowledge of the Terminal locations in Halo Combat Evolved Anniversary will help, as they're in completely different places now.

Unlike the Skulls, Terminals don't make any noise besides some bleeps and bloops that are only audible when you're very close. Also unlike the Skulls, there are only 13 of them – that's one per Halo Campaign Evolved level – so finding and activating them all for some unlockable lore entries isn’t too much of a chore. To help you find every Terminal in Halo Campaign Evolved, I've laid out all 13 locations below.

Halo Campaign Evolved Pillar of Autumn Terminal

From Rally Point Charlie, when going through the upper cryo room with the cracked windows.

This is the room where Cortana says, "it looks like the Covenant wanted to catch you napping". Proceed through the next door, then immediately turn left to find another open door leading into a small room with red lights and lots of screens everywhere. The Pillar of Autumn Terminal in Halo Campaign Evolved is at the far end, which unlocks the Approach entry.

Halo Campaign Evolved Halo Terminal

From Rally Point Bravo, as you drive into the "this cave is not a natural formation" Forerunner tunnel.

Drive through the tunnel until you reach the straight section with two small bumps in the road and a large window on your right. Hop out your Warthog, then jump through the window and carefully drop down to the ledge directly below. You'll find the Halo Terminal, Forgotten, down there.

Halo Campaign Evolved Truth and Reconciliation Terminal

From Rally Point Charlie, as you make your way to the brig to find Captain Keyes after clearing out the ship's command room.

After navigating several corridors after the command room, you'll eventually arrive at a large room with several doors around the perimeter. Go through the one immediately on the right as you enter and you'll find yourself in one of the prison rooms. Use the central console to deactivate the forcefields and then head inside the cell almost opposite the console to find the Truth and Reconciliation Terminal and get the Inquisitor lore entry.

Halo Campaign Evolved Silent Cartographer Terminal

From Rally Point Bravo, just after you shut down the security system.

From the security system console, turn around and head to the outer walkway of this area and look for the extended platform. The Status Update Terminal is behind a small Forerunner structure with two pointy bits.

Halo Campaign Evolved Assault on the Control Room Terminal

From Rally Point Charlie, after you've gone up the ice cave.

When you emerge into the canyon from the ice cave, follow the path to the right, then go through the doorway in the central rock formation on your left.

Head through the door and follow the corridor until you reach a large, empty central rooms. From here, go up the ramp that leads onto a balcony, then look to your right once you get onto the balcony. You'll find the Terminal for Assault on the Control Room, Tangent 1, tucked in the corner.

Halo Campaign Evolved 343 Guilty Spark Terminal

From Rally Point Bravo, after backtracking partway through the Forerunner facility while fighting the Flood.

You'll eventually reach a point on your journey through this facility where you have to go through a door with two large, pale symbols on either side.

Head through and turn left to find a cluster of dead marines and all their gear. From here take the next right to go down a dark corridor where you'll find the Halo Campaign Evolved 343 Guilty Spark Terminal – Tangent 2, which carries on from the last one.

Halo Campaign Evolved The Library Terminal

From Rally Point Bravo, after 343 Guilty Spark opens a large door and you're presented with two consoles, with a prompt directing you to the one on the right.

Ignore the objective and activate the console on the left to open a doorway on the left.

Head through and then go through the small hole in the Flood-infested wall. This will lead you into a small room featuring a dead marine and the Library Terminal, which rounds out the Tangent series into a trilogy.

Halo Campaign Evolved Two Betrayals Terminal

From Rally Point Alpha, right after destroying all the attacking Sentinels.

Rather than heading out the door straight ahead, head right and run around the ring walkway instead. You'll run into the Two Betrayals Terminal here, unlocking the Alone entry.

Halo Campaign Evolved Keyes Terminal

From Rally Point Charlie, when trying to ascend to a higher deck in the shuttle bay.

After dropping off to the ground floor of the shuttle bay, follow the objective marker through the door then right and up the inclined corridor – there are always Flood enemies and two Hunters in here. When you get to the first junction halfway up the corridor, turn left then left again to find the Terminal for Keyes in Halo Campaign Evolved.

Halo Campaign Evolved The Maw Terminal

From Rally Point Alpha, after clearing out the mess hall room.

From the entrance to the mess hall, bear right and you'll find the Arrival Terminal in a nook on top of some UNSC boxes.

Halo Campaign Evolved Boarding Action Terminal

From Rally Point Delta, after you've taken the gravity lift upwards to head for the Triumph of Tolerance's upper decks.

This grav lift will put you right in front of the corridor and doorway you’re meant to go through for the final combat encounter of the mission, but the terminal is behind you. Turn to face the opposite direction and then go through the door on the right to find the Heavy Burden Terminal.

Halo Campaign Evolved The Most Dangerous Game Terminal

Rally Point Charlie, after rescuing the marines from the brig.

Fight through the rest of the ship following the objective markers until you reach a room with several windows on the left that let you see many sarcophagus-like devices in a large room. Instead of going through the next door, head through the one on the right and you'll find a storage room full of UNSC gear, including the Halo Campaign Evolved Terminal for this mission, Penitent Report.

Halo Campaign Evolved Heavy Burden Terminal

From Rally Point Bravo, immediately after the cutscene where Chief and Johnson get the starholo data.

At the start of this Rally Point, you'll be facing a pair of doors on the far side of this room on the ground floor. Go through either of them to reach another pair of doors. Go through either of those doors to get inside a Covenant armory, then go through the next door to reach a relatively small storage room. The Terminal for Heavy Burden is hidden behind the Covenant equipment on the left.

These Terminals are just one of the many Halo Campaign Evolved changes compared to the original. Bear in mind that finding them all is also going to add a fairly significant amount of time to how long it takes you to beat Halo Campaign Evolved too.

© GamesRadar+. Not to be reproduced without permission.

There's a new Spidey film coming out this week, and what better way to celebrate than with an update to Marvel's Spider-Man 2? Two costumes have been added to the game, and there's some added support for upscaling.

Of the two suits that are now in Peter Parker's closest, the first is the Fresh Start get-up, taking heavy inspiration from Spider-Man: Brand New Day, the latest movie featuring the wallcrawler. This is another take on the classic, iconic Spider-Man look, and I'm not complaining because it's still extremely pleasing to the eye.

The second costume actually comes from another game, Marvel Tōkon: Fighting Souls. This one's got a more contemporary sci-fi edge, with white accessories and a larger spider emblem on the chest. It maintains the slightly cel-shaded aesthetic from Fighting Souls as well. I do love when Insomniac incorporates different aesthetics for the suits, the resulting effect is always impressive.

In the replies on Twitter, Insomniac clarifies that these are completely free of charge. You need only start up the game, let it auto-update, and you'll have access to both of these as part of your wardrobe. Since Brand New Day opens tomorrow, July 29, the timing is perfect to see it, then settle into swinging around New York City in the same threads as our cinematic Peter.

Besides these ensembles, support has been added for both Enhanced PSSR on PS5 Pro and Power Saver mode. The former, if you're unaware, is an AI upscaling feature on the system. Your mileage may vary depending on how much you like what changes it makes, but it's good to have options for your crime-fighting escapades.

Now then, I have side-quests to complete. And by side-quests, I mean taking dozens of cool pictures with these two suits I can hopefully sell to The Daily Bugle.

After keeping the secret for over a year, Sadie Sink's Marvel character is spoiled at the Spider-Man: Brand New Day premiere.

You simply will not believe this: Arc Raiders is messing with the matchmaking again. In its latest update, developer Embark Studios says it's reinforcing a previous change that received positive feedback from players, and this time, it's spelling it out loud and clear.

"The matchmaking changes follow on from earlier matchmaking improvements made on May 20, which reduced the matchmaking impact of defensive actions," Embark explains.

That May update made it clear that "defending yourself is no longer treated the same as starting a fight" in terms of your behavior tracking. Embark finally, properly pulled back the curtain on the matchmaking algorithm in that same update, explaining just how Arc Raiders uses PvP aggression to group like-minded players.

Today, the studio says it's going even further. "Following positive player feedback on those earlier adjustments, this will now be extended so that only the PvP fights players choose to initiate will impact their playstyle estimate, while defensive actions will have no influence at all on playstyle estimate," Embark explains.

"The team will continue to collect and monitor player feedback throughout the trial period. More information, including a player survey to share feedback, can be found in the patch notes here."

Every day, we inch closer to an Arc Raiders PvE mode – which is technically already available in the Chinese branch of the game.

Just last week, Embark revealed yet another change in a similar vein. The idea with that experiment was to better optimize matchmaking for playstyle and team size, meaning friendly players would be more likely to find each other, and duos would be less likely to run into trios.

"When Arc Raiders was at its peak," Embark was burning 30 terabytes of data per day tracking every single bullet fired: "We want to know who shot first."

Star Wars Zero Company, the upcoming strategy game from a studio of former XCOM leads, has always been billed as exactly that: a turn-based tactics game livened up by the soap operatic flair of the Star Wars universe. Still, as with XCOM, there are bound to be various RPG elements specifically in its progression and class systems, but narratively, mostly everything's going to be on rails, studio Bit Reactor has confirmed.

As spotted by PC Gamer, the studio recently hosted a Discord Q&A and answered some key questions about Star Wars Zero Company, including whether there will be branching paths and romance options. No and no was the answer, more or less.

"There aren't any romance systems or branching paths," reads the studio's response. "While we are excited about pushing the genre forward with a more cinematic approach, this is still a turn-based tactics game at its heart where adept skill and strategy are needed to overcome tense combat challenges."

The developer did specify that there will be "story moments that can alter based on who you have in your squad, but the overall story is a linear one from beginning to end." And speaking of which, that ending "will be largely the same for everyone."

Again, this isn't a massive surprise given Bit Reactor's pedigree, and as a big XCOM fan I'm actually encouraged to hear the former devs are doubling down on what they do best. After all, RPG fans already have a feast on the horizon with the Knights of the Old Republic remake, although to be fair it's been a hot minute since we've seen or heard anything about that game.

Here are the best Star Wars games to play right now.

Original Baldur's Gate programmer and former Dragon Age producer at BioWare Mark Darrah has a worthwhile plan for bringing the hypothetical Baldur's Gate 4 into reality. All you need to do is convince 2023's Baldur's Gate 3 developer Larian to hand over the keys to its proprietary Divinity Engine.

Darrah tells FRVR in a new interview that he imagines Baldur's Gate 4 as "an oversized expansion pack for Baldur's Gate 3," and he recommends someone "get Larian to agree to license out the Divinity Engine." But that seems unlikely to happen soon.

Larian CEO Swen Vincke wants nothing to do with Baldur's Gate right now. Or, really, ever. He said definitively in 2024, "We're not going to make new expansions which everybody is expecting. We're not going to make Baldur's Gate 4 which everybody is expecting us to do. We're going to move on."

So, Dungeons & Dragons IP parent company Hasbro started steering, asking former BioWare lead James Ohlen to create Baldur's Gate 4. While initially horrified at the prospect, Ohlen wondered if Hasbro could get Larian to license out its recent Divinity Engine 4.0, which Baldur's Gate 3 uses, but he became certain he wouldn't know what to do with it, anyway.

Ohlen said, "Swen's always going to be the master of building those kinds of things. It's really hard to take him off that throne."

Even if a confident knave wanted to knock Vincke off his pedestal, Larian has seemingly grown quite protective of its Divinity Engine. Originally, Larian created the Divinity Engine while working on Divinity: Original Sin in 2014, and the developer soon released a toolkit to the people and even made official tutorials for modders on how to use it. The same is not true for 4.0, which Larian is holding close, though plenty of Baldur's Gate 3 fans wish it wasn't.

Darrah recognizes one possibility: "Someone new comes along and they do not understand that scaffolding, they do not have many, many, many, many years building this kind of RPG, likely. I mean, maybe bring on Owlcat or someone like that… but you're going to get that same kind of thing."

But the Dragon Age vet isn't completely deterred. He still believes in the idea of a Baldur's Gate 3 expansion. To Hasbro, he says, "If you really want to make Baldur’s Gate 4 that's actually probably the way to go."

"The alternative," he continues, "is you go and say, 'Okay, we're going to call it Baldur's Gate 4. We're going to buy everyone asbestos pantsuits and we're going to just put the spurs to it and go way out here and we're going to do something really different."

The other alternative, I think, is that Baldur's Gate 4 won't exist for a long, long time.

"Of course" Baldur's Gate 4 is going to happen, Wizards of the Coast boss says, but that's not the D&D game Star Wars Jedi and God of War 3's director is working on.

A new promotion from Sony spotlighting its LX3 vinyl record turntable sparked renewed backlash from PlayStation fans frustrated and disappointed with the company's move to end physical media on the games side.

In January 2028, Sony will end support and manufacturing for physical copies for all new PlayStation games. Yet the love of physical media is alive and well in a new post from the company, which, like everything else Sony posts right now, has become a lightning rod for criticism.

"Rediscover the warmth, detail, and ritual of vinyl with the LX3 Turntable," Sony implores. "Drop the needle, press play, and enjoy music the way it was meant to be heard."

The responses to the post are about what you'd expect. Game preservation group Does It Play? writes, "Apparently, physical media is worth supporting even if it is a small niche. PS games are much bigger than vinyl. Yet for some reason, they feel the need to kill gaming culture for profit. Shame!"

"If you can do physical for music, you can do it for games," replies another user.

"So physical media is cool again... as long as it isn't game discs?" says a third.

Noted PlayStation and FromSoftware sleuth Lance McDonald sums it up with his reply: "Ahahahahahhaahahhaahahahhaahhahahaahhahaha."

The irony is that the mounting support for vinyl records and waning support for physical games are largely driven by similar factors but to different ends, even though a non-trivial number of consumers in both spaces love physical media.

A larger and larger percentage of game sales are digital following overwhelming audience migration, and Sony stands to make a lot more money per sale off digital copies. Ending physical PlayStation games will also drive more users to its in-house store, furthering its control over the sales pipeline.

The market for vinyl records, meanwhile, has shown impressive recovery and growth in the past five years or so, and music companies and artists love to sell their stuff physically because a single record sale is worth about a zillion plays on digital services like Spotify.

The mediums are distinct and their markets are wrestling with different forces, but there's something to be said for just how music, so thoroughly digitally commodified, got into the position that actual record sales are now treated as an oasis.

Pertinently, vinyl records are still supported by a relatively small but enthusiastic market that's willing to pay for something refreshingly tangible – exactly the sort of audience that, many experts have argued, physical games could sustain if supported. As someone who owns a lot of video game vinyl, specifically, I'm comfortably in this camp.

But demonstrably, Sony doesn't see that audience as relevant enough to outweigh the potential gains of a digital-only future, which absolutely, positively will not lead to enormous knock-on effects or access issues.

Ubisoft CEO says ditching physical games "helped" PC gaming, and PlayStation ending discs won't "disturb" the industry much anyway.

Beast of Reincarnation's director Kota Furushima has said that Game Freak didn't have a certain art style in mind when creating the game. The team took on a new challenge with the game's photo realistic look, and are aware that it doesn't look like a typical Game Freak game.

In an interview with DenFamiNicoGamer that's been translated by GamesRadar+, Furushima outlines why he chose a more realistic style compared to the company's previous cartoony aesthetic. "I think the biggest thing for us is that it's a new challenge for Game Freak," he says. "When you first look at the visuals, I think it's the sort of game where it's difficult to tell the country it's made in. So I think a major point was that it's 'made by Game Freak.'"

Aside from the Pokémon franchise, which the company is most famous for, Game Freak has worked on a number of games with a simpler, more colorful look, such as Drill Dozer, Tembo the Badass Elephant, and Little Town Hero. Furushima knows that Beast of Reincarnation has a very different art style to any of the games in the studio's library, but decided that the game's core concepts linked it more strongly to Game Freak than a childlike look would.

"The first thing I thought was 'this doesn't really fit our vibe does it?'", he chuckles. "'This isn't a photorealistic graphics kind of studio.' That being said, we're not particular about specific styles. In terms of the concept, I think the major themes are not dissimilar to what Game Freak has worked on before.

"When I was building the prototype I began to realize that photorealism would be the best fit for what I'm trying to express here," he says.

Pokemon dev Game Freak says its history informed Beast of Reincarnation's feeling of "becoming partners through gameplay" despite looking totally different

There aren't any explosive grenades in Assassin's Creed Black Flag Resynced, but a handy exploit lets you make some on the fly. Players have discovered a way to turn smoke bombs into impromptu fiery weapons to handle multiple enemies – but you really need to be careful when using it.

On Twitter, Assassin's Creed fan account Zephryss posted a clip of how it works. First, you throw the smoke bomb, and let it start filling the area. Then, using your pistol, shoot a bullet right at where it landed, and you'll get a nice little explosion. "Here's an insane secret trick," they say.

They include footage of them doing it a couple of times, across different areas and situations, to demonstrate how repeatable it is. In one of them, several enemies are approaching, and this tool of slight destruction takes a chunk of their health and bounces them back.

It's a fine addition to the toolkit of any assassin. Not very graceful, mind, but sometimes you need to just go for broke and do whatever you can to get out alive. That last part can be tricky, since many people are figuring this alternate way of using smoke bombs the hard way.

"THIS. THIS IS HOW I KEEP BLOWING MYSELF UP??" says one player in response to the clip from Zephryss. "I learned this the hard way when trying to get the trophy of kicking a [berserk] enemy in smoke off a ship," another adds. "Would accidentally pull out pistols and wonder wtf happened."

Now that word is getting around, there's a chance Ubisoft could patch this out if it's not intentional. I hope that doesn't happen, because this is definitely handier than it is a hurdle. But a primer on how to do it safely would help, lest more people wind up blowing Edward's face off completely by accident.

If you're yet to play it yourself, you can read our Assassin's Creed Black Flag Resynced review to see how it compares to the best Assassin's Creed games.

A solo modder has taken matters into their own hands and put out a new Final Fantasy 7 Rebirth mod aiming to tackle the game's long-standing lighting issues – and the results are incredible, judging by side-by-side comparisons.

Modder David 'dddd5' Matos put out the Shader Injector mod for Final Fantasy 7 Rebirth late last month (and recently updated it with a couple fixes). Since then, it's only gained more and more traction with fans.

"Framework allowing injection of modified shaders into the rendering API," the modder explains on NexusMods. "Comes with modified game shaders that improve lighting/shadow quality of the game significantly."

The tech experts at Digital Foundry also gave the mod a look and concluded the game's wonky lighting is much better across the board. Some areas, such as the glowing Gold Saucer, are "totally transformed with much better correspondence between the scene and its reflection," according to the outlet. Several comparison shots show dramatic differences between the modded and unmodded versions of the game, too.

For context, Final Fantasy 7 Rebirth is a mostly handsome game that's still plagued with a few odd lighting issues. Many light sources don't cast shadows at all, in-game foliage often lacks shadows, some shadows are really low quality, and lighting on character faces generally looks pretty weird in outside environments.

Default Shader and Shader Injector 2.1.0 Comparison from r/FFVIIRemake

"The overexposure in this game was f****** unbearable," one player writes over on Reddit.

"It's so impressive how much better the lighting looks with this mod in most cases," another says. "Even the performance version which only costs a few frames."

The next instalment in the series, Final Fantasy 7 Revelation, comes out sometime next year. Here's hoping it launches in tip top shape.

Final Fantasy 7 Revelation director says "open-world fatigue" is real, and since "the world is even bigger than it was in Rebirth," Square Enix specially focused on guiding players.

The tradition of playing FromSoftware games in ridiculous circumstances continues, with streamer Skumnut now beating Maliketh, the Black Blade boss in Elden Ring without so much as a piece of armor on his body. He just had his fists, a bit of willpower, and a whole lot of determination.

If you're familiar with the Elden Ring community, you probably won't be shocked to hear this is coming from Skumnut, the streamer and YouTuber best known for doing wacky challenges in the fantasy action-RPG. His current expedition is the "Elden Ring Nothing run," wherein he's attempting to beat the whole game with, he says on Twitter, "No shields. No armor. No talismans. No buffs. No spells. No physick. No torrent. No consumables. No equipment at ALL."

Simple, straightforward. No problem. His latest hurdle is the hulking mass known as Maliketh, the kind of battle that makes you feel daunted even if you're well-equipped. Skum's in this fight with bright green hair, something to cover his character's nether regions, and moxie.

And it's hilarious to watch. The clip he posted on Twitter is a strong sample of how the encounter went overall: a lot of dodging, rolling, and running around while Skumnut occasionally takes potshots to whittle down the beast's health.

To call it a marathon feels like an understatement. It's absolutely absurd, but yet, it's undeniable, Skumnut gets results eventually.

"It only gets worse, boys," he says to his audience.

"Technically there's only two real bosses left," he adds. "So although it's going to get worse, it's almost over." This battle with Maliketh took him three hours, and only two deaths. Will the next opponent take more? We'll find out soon enough.

Elden Ring and Dark Souls inspired Clair Obscur: Expedition 33 director's approach to the RPG's story – "I didn't want to spoon-feed the player"

Final Fantasy 14 is coming to Nintendo Switch 2 next month, and now that its file size has been confirmed… I hope you didn't want to have a bunch of games installed on your console.

Thanks to a listing on the US version of the Nintendo eShop, we've learned that the critically acclaimed MMORPG Final Fantasy 14 will come in a hefty 117.2GB file size on Nintendo Switch 2. For those keeping score, that comes at just under half of the Switch 2's entire 256GB storage. That's half of your Switch 2 space for Final Fantasy 14.

So not only is Final Fantasy 14 the biggest single game file available on Nintendo Switch 2 so far, it also beats out the previous record holder for the franchise – 91.8GB Final Fantasy 7 Rebirth – by over 25GB. Square Enix has been desperate to hold the title it seems, since, on top of that, the single biggest eShop game listing to date is Kingdom Hearts Collection, which clocks in at an estimated 131GB… but that includes three games.

Of course, Final Fantasy 14 being so big makes total sense. Aside from it having one of the biggest MMO base games, Final Fantasy 14 is currently five major expansions deep with Heavensward, Stormblood, Shadowbringers, Endwalker, and Dawntrail, and it's only going to get bigger once Evercold releases in January 2027. So even if you're only picking up the base game and not the complete edition of Final Fantasy 14, you will have to install all of that data, too.

Final Fantasy 14's Yoshi-P doesn't quite get the community hype around Chort, the chunky boss who quickly became an online icon: "Just why?"

Square Enix plans to reveal the next Final Fantasy 14 DPS job in a few months from now, and some fresh clues already have fans fawning over the possibility of playing as a bird-loving Falconer-type when the game's Evercold expansion drops.

This past weekend, Final Fantasy 14 composer and sound designer Masayoshi Soken took to the Fan Fest stage in Berlin to tease fans with two audio snippets related to the unannounced second job coming in next year's Evercold expansion, alongside the Bastion.

The first snippet blasted clinging and clanging noises at the audience, while the second sounded like a bird screeching and clawing at something. You can try to decipher the clues for yourself in the clip below.

New ranged dps teased by Soken at Berlin fanfest from r/ffxiv

"These are sound effects from the new DPS job we're going to announce at the JP Fan Fest," it's revealed via a translator. The Japanese leg of Fan Fest is set to begin on October 31, 2026, so we won't need to wait too much longer to find out what the team's been cooking.

Over on Reddit, theorists are overwhelmingly in agreement that all clues are pointing to a Falconer job or something adjacent to that, at least (Hunter, Ranger, Beastmaster, etc.) "Falconer is the ranged DPS we saw in the trailer. Bet," one fan writes.

Evercold's extended teaser trailer threw fuel over the fire, too, with a brief glimpse of a large, armored, winged creature taking flight and annoying a spellcaster.

"Willing to bet that the bird in the trailer is related to the job, but the girl is unrelated," another theorycrafter says. "The last trailer will likely extend that shot to show the bird flying to whoever is our job representative! The baton she has is more likely a plot device, rather than the weapon of the job."

A Falconer job would be entirely new for the Final Fantasy series, though past games have dabbled with similar concepts. Final Fantasy 10-2's Trainer job gives one of the characters a big bird to command, for example. And Final Fantasy 5's Hunter can also occasionally call in help from woodland critters, flying types included.

"I want this guy to make Final Fantasy 17": Yoshi-P embarrasses Final Fantasy 7 Remake lead with the "highest praise you can get" from players live on stage at FF14 Fan Fest.

Sony's Days of Play sales have long since ended, and I had assumed all of its deals ended with it. However, both the Death Stranding 2 On the Beach Collector's Edition and the Ghost of Yotei Collector's Edition, which include copies of the game and a smorgasbord of exclusive physical goodies, have returned with the same set of savings as the annual Sony event.

For a limited time, you can grab the Death Stranding 2 On the Beach CE for just $129.99 (PS Direct) and the Ghost of Yotei CE for as low as $149.99 (PS Direct), saving yourself $100 off each. These savings are part of a wider sale at PS Direct, which includes discounts on PSVR2 and even a rare deal on the 8TB WD BLACK Internal SN850P SSD. However, unless you have a spare $1,099.99 to spend on a spot of storage, I recommend sticking to these collector editions to get your PS5 deal fill while they're available until August 10, 2026.

Before you add either Death Stranding 2 or Ghost of Yotei to your online PS Direct shopping basket, I do need to give you a major heads up: neither one of these collector's editions includes a physical game.

As if the fact that there will be no new physical PS5 games after 2028 wasn't disappointing enough, these fancy and merch-filled versions of both games have included a digital download far before Sony made its big announcement earlier this month. That means that while you'll get a boatload of physical merchandise for each title, both Death Stranding 2 On the Beach and Ghost of Yotei are included as digital downloads. There aren't even empty boxes to add to your shelf, as is the case with the upcoming Grand Theft Auto 6, which is mega disappointing.

With that in mind, it's better if you see these deals as ways to get your hands on some exclusive collectibles above all else. The glorious 15-inch Magellan Man Statue, which was CG modeled, 3D printed, and produced under the watchful eyes of Metal Gear Solid artist and industry legend Yoji Shinkawa, is only found within this version of Death Stranding 2, and cannot be bought separately unless you're okay searching through the mines of second-hand sites like eBay and dealing with its extortionate prices.

Considering you get it, a 3-inch Dollman figure, art cards, a letter from big-man Hideo Kojima, and a fancy box to keep it all in feels worthwhile enough at $100 off today. You could think of the fact that the game and some in-game extras are included as a little extra, rather than the focus. At least, that's what I'm going to do as a physical game girlie.

View all PS5 gaming deals at Amazon

Check out our guides to the best PS5 headsets, the best PS5 controllers, and the best SSDs for PS5 if you've already got plenty to play.

Beast of Reincarnation director Kota Furushima has spoken about why it's so important that dual protagonists Emma and Koo are unable to talk to each other. Game Freak has a history of developing the relationship between man and beast without dialogue thanks to the Pokémon franchise, and has applied this experience to its upcoming action RPG.

In an interview with DenFamiNicoGamer (translated by GamesRadar+), Furushima outlines why a lack of communication was key to developing the world of Beast of Reincarnation.

"The truth is that it's incredibly important that there's no talking," he says. "When you don't speak, you gain something else. We wanted the game to give you a certain feeling, and that wouldn't happen if talking had benefits over keeping quiet."

Further, he believes that building a relationship without words creates a different feeling for the player. "For example, when you don't talk your imagination can take over, and as time passes in this way, something awakens deep in your heart," he explains.

"As the result of devoting ourselves to this concept, [Beast of Reincarnation] took the form it's in today. It's not impossible for a relationship to develop purely because of the scenario they find themselves in. That is dependent on the plot's strength though."

Ever since Beast of Reincarnation was revealed, people have been commenting on how far it strays from Game Freak's usual library. Aside from the Pokémon franchise, games like Tembo the Badass Elephant, Drill Dozer, and HarmoKnight all have a cartoon aesthetic. The upcoming game has a more realistic look, but it clearly borrows from Pokémon's core partnerships.

"Therefore, in order to build this kind of relationship, we chose to do so through gameplay," Furushima adds. "Our company has really thought about how you can build relationships and create that feeling of becoming partners through gameplay. I think we've put everything we've been able to cultivate in that regard into this game."

Trained by decades of Pokemon, Game Freak has taken petting the dog to a new level in its RPG Beast of Reincarnation: pet it, wash it, and master a whole affection system

The developers of Myst and Riven have just released an awesome trailer for a game that finally returns to the universe of their stone cold PC classics, but don't get too excited, as Cyan Worlds canceled this one a year ago for unknown reasons.

Cyan Worlds has been pumping out interesting, first-person adventure games and freaky mysteries for literal decades now. That work was supposed to continue in Project Anglerfish, a previously unannounced game that was quietly in production at the studio last year before it got scrapped just as quietly.

A new trailer now gives us a glimpse of what could've been, otherworldly books and all - take a look below.

First-person exploration through twisty-turvy buildings? A book that seemingly flings readers into whole other worlds? Gorgeous graphics, even on a rough build? Sure seems like a new Myst game, alright.

"Over a year ago, the team here at Cyan spent about four months building a prototype for a new game in the Myst universe, codenamed 'Project Anglerfish,'" the trailer's description reads. "The prototype (and this teaser trailer made for it) were purpose-built for publisher-eyes only. For a variety of reasons, this project couldn't move forward at the time, but we're still proud of the work the team did – so we're sharing the teaser for the prototype with you all now."

Project Anglerfish would've been the first brand-new Myst game in ages - not counting the trove of remakes, remasters, and re-re-releases - though it doesn't sound like we'll need to wait too long for more games in its world. "Don't worry, we're still hard at work on other new Myst universe things," the dev adds. "More on that to come."

Cyan Worlds is one of the longest-surviving independent game makers in the world, having been founded almost 40 years ago. Way back when, the developer made a name for itself with the engrossingly lonely and mysterious Myst, which eventually became the best-selling PC game of its time and one of the most hotly debated games around.

The years since haven't been quite as kind to the influential studio, as Cyan let go of around half of its staff last year. Cyan Worlds did just port its gorgeous Myst and Riven remakes to PS5, PSVR2, and Xbox Series X|S earlier this summer, however.

While we wait to hear about these other Myst universe projects, check out the new games of 2026 and beyond.

Nothing humbles a fan of first-person shooters faster than a hardcore Mil-Sim like Hell Let Loose: Vietnam.

Picture it. You're creeping under cover of the jungle canopy as helicopters whir overhead. Short sharp shocks of gunfire are your only real guide towards a forming frontline; squad orders are the other, as the voice of a squadron Commander crackles over the comms line to scramble Infantry units back through dense brush to reform fracturing formations. As enemies pour over the crest of a distant hill, your M16 rumbles as bodies crumble. And then, nothing. A bullet fired from an unknown location rips through your torso. Medics in the area ignore your pleas for help. The long walk back to the action begins again.

There was a time in my life where military simulation games were all I would play. Highly lethal gunplay meets minimal visibility and low hit detection across large open terrains? Count me in! The Operation Flashpoint and ARMA series were where I graduated to after growing a little tired of the more predictable cycles of Battlefield, Ghost Recon, and SOCOM. After a weekend of getting my ass kicked, I'm struggling to remember what attracted me to the brutality to begin with.

Run Through the Jungle

My friend group has started to migrate away from Battlefield 6, which has left me looking for a new shooter to play – ideally one that isn't of the Battle or Extraction persuasion. The Battlefield Studios effort really made me fall back in love with the idea of larger-scale, open-combat experiences so Hell Let Loose: Vietnam appealed.

Here's the thing, Hell Let Loose: Vietnam is an experience defined by the friction it generates. With 100 players populating exceptionally wide multiplayer arenas, the game is designed around dynamic frontlines and intense team communications. Every soldier has a role to play, and players buying into the fantasy of their assigned Command, Support, Infantry, or Specialized unit is the only way for such an unforgiving shooter to function appropriately.

Let's take respawning as an example of this game theory put into action. Despite being so focused on team dynamics, you are not able to spawn directly on squadmates in Hell Let Loose: Vietnam. Instead, you're able to dive back into the fray from a Garrison, created in tandem between Commanders and Specialists, or from an Outpost placed by a Squad Leader near objective points. If these fail to be established then you're forced to spawn far from the frontlines, back at a headquarters where you'll face a 10 minute walk back to any action. Once you return, you're as likely to get nailed from an unseen attacker as you are to establish a chokepoint to catch enemy soldiers pouring from trenches.

With this in mind, setting up Outposts or fortifying capture points to allow for faster redeployments into the fray is just as valuable – if not more so – than generating an unholy amount of kills and assists. Hell Let Loose: Vietnam reflects that in its unstable firing models, lack of discernible weapon feedback, and any real visual hit detection. The objective is to win the day as a group, not sit atop the leaderboard as an individual – killing enemy soldiers is simply a means to this end.

Whether this sounds even remotely appealing to you will determine whether Hell Let Loose: Vietnam is something you will enjoy. When it clicks, as 50 players come together to generate battlefield momentum, it's fairly spectacular – intense and rapid, capturing a tangible sense of large-scale action that Battlefield can only dream of delivering. When a round doesn't come together, it's a mess. A slow slog through open expanses where you're left to lament the shift in online gaming culture; wide adoption of microphones (at least on console) seems like a relic of a distant past, which is a problem for a multiplayer game foundationally built around quick-fire collaboration.

Hell Let Loose: Vietnam is a polished FPS with a well-defined identity, one which easily separates it from Battlefield, Call of Duty, and the waves of battle royale and extraction shooters dominating the charts. It's a challenging, uncompromising experience that isn't going to be for everybody. The brutality isn't a bug, it's a feature – the great differentiator that gives developer Expression Games a lane to dominate. I don't know that I necessarily have the patience for this sort of Mil-Sim any more but, then again, I still find myself eyeing the August 13 release date with an almost morbid curiosity.

Hell Let Loose: Vietnam is coming to PC, PS5, and Xbox Series X on August 13. If you're looking for more on new games of 2026 and other recent shooters, here's some reads I recommend for you next:

There's a new comic set in the world of Baldur's Gate 3 on the way. On the back of the publication being revealed, Larian Studios took the opportunity to remind people this is a licensed venture, and the studio isn't secretly chipping away on anything based on the Forgotten Worlds.

After Dark Horse Comics revealed the upcoming Baldur's Gate 3 book, there was some excitement at Larian's potential involvement, prompting a response quelling any rumors.

"Maximum hijinks are happening right now, but we're not involved in any BG3 related projects," says a post from Larian on Twitter, with an image of founder Swen Vincke getting fitted in armor.

It's not specified why, exactly, he's got a medieval costume on, but it also looks like he's been given some lines to memorise. Perhaps something to do with Divinity? Unlikely, given the wording of the next part – my guess is it's an endorsement of some kind for the comic.

"As soon as we bust outta here, we'll share more about Divinity," the tweet finishes. Larian's been adamant for a while now that it's done working on anything to do with Baldur's Gate in a substantial way.

After the whirlwind of the third, with it being a best-seller and an awards darling, the team has decided to use the boost in recognition and resources to resurrect the Divinity series. The last installment, Divinity Original Sin 2, will be ten years old next year, making it a good time for a fresh entry.

Whether or not we get Baldur's Gate 4 is really a question for Hasbro, who owns the Dungeons and Dragons IP, and it doesn't seem to be a priority for the time-being, although Wizards of the Coast president John Hight previously said "of course" it'll happen eventually. Whenever it does, though, it'll be from a studio other than Larian, even if you see Vincke in a shiny chestplate.

Baldur's Gate 3 player throws 60-hour Honour Mode run with just 2 fights left by falling for one of the D&D RPG's most dishonorable deaths.

A new Dragon Age game would have a very difficult time getting off the ground, according to the series former producer and long-time BioWare veteran Mark Darrah.

BioWare's epic fantasy series hasn't had a smooth ride as of late, which is odd considering Dragon Age Inquisition was a critical and commercial smash. After a decade-long gap between games and multiple internal reboots, Dragon Age: The Veilguard tripped past the finish line when it came out in 2024 to mild sales.

Speaking to FRVR, Darrah says the Dragon Age: The Veilguard and the series' wider troubles were perhaps "happening because of EA's complicated relationship to shipping games at all." He then recalls how "someone once described to me EA as a hedge fund with a video game hobby that it wished it didn't spend so much money on, and I think that remains true."

The BioWare veteran of over 20 years doesn't see things changing anytime soon, either. "I have no concept of who could, would, possibly pitch that at EA," he says, partly because "EA owns a frightening number of IPs that are dormant." You can perhaps find Dragon Age laying in a damp cell alongside Titanfall and Mirror's Edge, then.

As for the reasons why a new Dragon Age project could hit a proverbial wall, well, there's quite a few. "The problem is I don't know who at BioWare would pitch a Dragon Age," he continues. "So the other option is somebody else within the EA organization decides they're gonna pitch a Dragon Age and, what I expect would happen if they try to do that, is somebody at BioWare would essentially become one of those people jumping under the vents to rip that person apart. I suspect that it wouldn't happen for a variety of reasons."

For context, BioWare's been hit hard by mass layoffs at EA multiple times over the last few years, meaning the storied developer might not even have the bandwidth to make a Dragon Age game alongside its next Mass Effect.

Complicating things further is the impending proposed buyout of EA by a group of investment firms led by the Saudi Arabian Public Investment Group. Darrah questions whether the publisher's new ownership would even be interested in the series or the studio at all: "I could argue yes and no… do you want BioWare at all in this world?"

"It's a really compelling place to be left in": Dragon Age fans aren't giving up on the RPG – they're expanding it.

Speaking on stage at Final Fantasy 14 Fan Fest, the MMORPG's lead Naoki 'Yoshi-P' Yoshida lays the praise on Naoki Hamaguchi, saying that fans are desperate for the Final Fantasy 7 Rebirth director to work on the next mainline entry in the long-running JRPG series.

The pair were standing on stage together at MMO's annual fan convention for a panel called Naoki's Room. The two series leads, who coincidentally share the same first name, answered a number of prepared questions during the talk. Towards the end of the discussion, Yoshi-P revealed that he's received many comments from fans asking for Hamaguchi to work on FF17.

"But there were comments along the lines of 'I want this guy [Hamaguchi] to make Final Fantasy 17,'" he says.

Yoshi-P continues by explaining how highly he regards the compliment. "So I think that's probably the highest praise you can get," he continues, before adding "you don't have to respond."

The FF7R lead is clearly embarrassed by the comment when he says, "my response?" Yoshi-P then makes a gesture that he doesn't need to answer before quickly wrapping up the discussion.

Some have speculated that this is a hint that Hamaguchi is indeed working on FF17, but it's vague at best. While Hamaguchi is visibly embarrassed, it could be from the compliment, from being caught off guard, or because he's unsure if he can talk about the projects he's working on. Equally, Yoshi-P may have cut Hamaguchi off to save him from his embarrassment.

Final Fantasy 7 Rebirth was a huge success and we're sure Hamaguchi would do an excellent job developing a completely new mainline entry, rather than his current remakes. However, as the third part of the remake trilogy, Final Fantasy 7 Revelation, isn't scheduled to be released until 2027, we hope he focuses his energy on perfecting that game first.

Final Fantasy 6, 8, or 9 remakes would need even more games than the FF7 trilogy, Yoshi-P warns: "We'd probably end up having to release them in 4 or maybe even 5 installments."

Careful what you wish for, Final Fantasy fans. Potential future remakes of other games in the series would probably require even more individual parts than the Final Fantasy 7 Remake trilogy – at least, if they were remade in that same style – according to Final Fantasy 14's Naoki 'Yoshi-P' Yoshida.

The MMORPG's director said as much during a panel at Fan Fest Berlin – with Final Fantasy 7 Remake lead Naoki Hamaguchi also in attendance – warning folks that the wait for an entire remake of Final Fantasy 6, for example, would be even more painfully long than what we've become accustomed to.

"Of course I understand the feelings of the players, but you gotta think about it," Yoshi-P says, per a translator, of fan requests for future series remakes. "Look at Final Fantasy 6, it's such an incredibly huge game. The scale is just immense."

But the same argument is true for other games in the series, like Final Fantasy 8 and Final Fantasy 9, he adds: "So, of course, now because you are working on the Final Fantasy 7 series, I do get that people would be asking for remakes of other titles. But if we did remake those other titles, we'd probably end up having to release them in four or maybe even five installments."

Final Fantasy games used to be absolutely huge in their scope because the developers couldn't render everything in excruciating detail as they can now – nor did they need to. Final Fantasy 6 was able to fit 14 playable characters, a huge world map that dramatically changes throughout the adventure, and countless epic fights onto a humble SNES cartridge. You can imagine how doing all of that in a game with Final Fantasy 7 Rebirth's production value would be tricky.

Ahead of Final Fantasy 7 Revelation, Hamaguchi himself made clear that a hypothetical remake of Final Fantasy 6 would be in better hands with another developer anyway. He seems more keen on doing something new after Revelation ships.

At Fan Fest, Hamaguchi explained that he felt incredibly lucky that so many developers stayed together for all three games in the FF7 Remake trilogy, back to back. "That's why I can't just sit here and go, 'Yeah, yeah, I'll remake [FF6],' because it's not quite that easy."

Perhaps the way forward for Final Fantasy remakes is the upcoming Final Fantasy Resonance, a gorgeous pixel art game with turn-based combat, rather than the giant world of the FF7 Remake games.

Final Fantasy 14 Evercold changes housing for the better, Yoshi-P says, and World of Warcraft's "amazing" take on the MMO staple has "been a good source of research."

Final Fantasy 14's housing system is due to get two "very big" overhauls as part of the post-Evercold run of patches, and it looks like Blizzard's own take on the popular MMO feature in World of Warcraft has given Square Enix plenty to chew over.

As part of Final Fantasy 14 Fan Fest in Berlin, producer and director Naoki 'Yoshi-P' Yoshida spoke to the press to tackle some questions about Evercold. Among the most interesting was a question over whether Square Enix had any plans to modernize Final Fantasy 14's housing system.

Speaking through a translator, Yoshi-P jokes that the question may have been refined prior to being presented to him, before adding: "I get the feeling what you really want to ask is, well, WoW has come up with this amazing housing system. How about [Final Fantasy] 14?"

Yoshi-P starts by saying that the Final Fantasy 14 team has an "immense respect" for the World of Warcraft team. And indeed, Yoshi-P has rarely been shy in giving Blizzard its flowers.

Then, he shares that when the Final Fantasy 14 team saw that the WoW devs were working on their own housing system, and that they "looked to [Final Fantasy] 14 and incorporated things which they wanted to surpass us, I think that in itself is very much a sense of great honor for us to hear."

Seemingly happy to return the favor, Yoshi-P says he went "hands-on" with the WoW housing system, and came away impressed and motivated.

"I really do appreciate it. It's amazing," he says. "And we always like taking on new challenges. So this time around, when I tried WoW's housing, I thought it really is amazing, and it's been a good source of research."

The good news is that you'll see the results of that research soon. Yoshi-P says the Final Fantasy 14 team is "planning two very big overhauls for housing" during the patch 8.0 series. If you're averse to numbers, that means it'll arrive at some point between Final Fantasy 14's Evercold expansion launching and whatever the next expansion ends up being.

So what's on the way? Yoshi-P says one of the overhauls relates to the UI as it's currently "quite technical" and "not very accessible." In an ideal world, Yoshi-P would like a casual player to be able to create elaborate housing.

While Yoshi-P can't reveal much about the second overhaul, he does say it will make players happier than the UI update and that it's currently in the planning phase. As such, there's a chance it'll release before the UI update, but we'll just need to wait and see how the chips fall. Yoshi-P says the Final Fantasy 14 team will announce further details when they have more visibility.

The news is the latest sliver we've got about Final Fantasy 14's Evercold expansion. As part of the Berlin Fan Fest, we've also found out that the first new FF14 Evercold job will be a hulking tank called the Bastion, that Final Fantasy 14 is getting a crossover with the Final Fantasy 7 Remake series, and much more. It feels like Final Fantasy 14 is going for it, and that might be just what the MMO needs.

Final Fantasy 14 Evercold releases January, 2027.

"The desire for a world you can escape to is stronger than ever": How MMORPGs are flourishing in a multiplayer landscape dominated by live-service shooters.

The Final Fantasy 14 fandom quickly became enamoured by a chunky new boss that came alongside a patch 7.5 dungeon: Chort, a big boy who loves to roll around and wear a permanently hungry grin on his face. The critically-acclaimed MMORPG's director, Naoki 'Yoshi-P' Yoshida, doesn't quite get the hype, though.

"Honestly speaking, I just don't know why this is such a thing," Yoshi-P quips during a Final Fantasy 14 Fan Fest panel in Berlin, attended by GamesRadar+. He might not be a huge fan of the rotund icon, but he couldn't exactly ignore the topic in a room full of fans who were asking about Chort.

"I am really glad to hear that Chort is so well received," Yoshi-P adds, per a translator. "But honestly speaking, I just couldn't really understand what is the appeal [or] point of Chort. Of course, we do understand that he's very popular, and there have been many memes. But really, I just couldn't understand, like, just why?"

Yoshi-P's not totally against seeing the good in Chort - he is human, after all, and I'm sure his heart hasn't been totally frozen over. "I mean, this is some huge hunky guy, and then suddenly, well, he's standing there and then he rolls," he continues, inching closer to a eureka moment. "So from that perspective, I can kind of understand." Hook, line, sinker.

Whether he gets the online hype or not, Yoshi-P did tell fans to continue coming together online and talking about the things they enjoy about the game. If nothing else, the devs love to see it: "When these kinds of things happen and the player community picks up on it on social media, and they combine various things, they create their own memes... it's really great for us to see as well because we are involved in creating this entertainment.

"So, if people in the community also find some unexpected sets or point of appeal in any content that we produce moving forward, do make your voices heard because the development team is looking at all of the responses on social media, and we very much do enjoy looking at them, and we do have smirks on our faces when things like this happen."

Long live Chort, then, even if his chances of becoming a minion just became less likely. We'll never forget you, big man.

Elsewhere at Fan Fest, Square Enix revealed that the Bastion is Final Fantasy 14's first new job coming with the Evercold expansion. The game's also getting a very exciting crossover raid series with the Final Fantasy 7 Remake trilogy.

Final Fantasy 14 reportedly tops 1 million active players for the first time in over a year as fans prepare for the Evercold expansion

Capcom has been churning through remakes of its best Resident Evil games over the last few years, with Resident Evil: Code Veronica up next, but dusting off the horror tomes serves more than one purpose for the publisher. Capcom producer Masachika Kawata says remakes help the company release back-to-back games in the series and help invest more money back into all-new games.

Speaking to Game Informer magazine in its latest issue, Kawata explains that one of the reasons why the publisher creates so many remakes is that "producing a new entry in the Resident Evil series every year would be quite an undertaking and a difficult task" otherwise. Resident Evil isn't properly an annual franchise yet, but the only big gaps in its recent history have been in 2024 and 2025.

"Being able to revisit older games and remake them helps Capcom meet that goal of releasing a Resident Evil title each year, but it also allows the team to continually challenge themselves and hone their craft," Kawata adds. "That's not to say the remakes are any less important. In fact, they're just as important as the mainline titles." (Good spot, NintendoEverything!)

The proof is arguably in the pudding with Resident Evil Requeim, a game that managed to marry the tight and sweat-inducing first-person horror of RE7 and RE8 with the bloody, third-person horror-action of Capcom's recently remade games.

"Capcom is lucky enough to have found this cycle that can continue to provide us with the financial resources to create things like new entries in the Resident Evil series and completely new IP like Pragmata," he continues. "So there is that relationship there."

Of course, the well of old Resident Evil games will eventually run dry. Capcom could re-remake the first game and then try to redeem Resident Evils 5 and 6, sure, but at some point, it'll need to start making multiple original Resident Evil games simultaneously should the company want to keep up the cadence it's on now.

Resident Evil 4 made Capcom another $560 million and became the best-selling remake of the generation, analyst says, more than tripling sales of Oblivion Remastered and Final Fantasy 7 Rebirth

As Sony inches ever closer to a future where it permanently halts the production of PlayStation discs and as GTA 6 prepares to ship without a true physical version at all, Rockstar Games and Grand Theft Auto co-founder, Dan Houser, has some thoughts about the physical versus digital games debate.

The former GTA 5 and Red Dead Redemption 2 lead developer - who also had a hand in several more Rockstar classics - was recently asked about the topic at San Diego Comic-Con 2026. His thoughts? Houser isn't personally enthusiastic about physical games shipping on discs, but he doesn't see why companies should stop making them altogether.

"I don't know that I care, but if people want that, I think companies should provide it," Houser tells IGN in an interview at SDCC. "But I don't know that I personally care."

He also acknowledges that people sure are critical of digital games, but from a developer's perspective, "the ability to update and fix problems in games has been really useful for the quality of games."

The future of physical games are on a lot of peoples' minds right now after PlayStation announced plans to axe PlayStation disc production starting in 2028. That means new games that come out past that point won't get true physical editions on PlayStation hardware - it also means your ability to lend, borrow, sell, and truly own the games you pay for is seriously constricted. An ironic demonstration of how our all-digital future could go very wrong happened this week, when The PlayStation Network almost went down and stopped waves of people from downloading or even playing their digital library.

Also speaking to IGN, former Rockstar veteran Lazlow Jones chimed in, too: "We all have that sort of feeling when you get that copy, and you put the disc in the console, but I also have to say I really like being at the airport and going, 'Oh, cool. I can download some quick games to my Steam Deck for this 12-hour flight.'"

Jones and Houser are now both working at Absurd Ventures, a company making multiple multimedia projects, including an upcoming AAA open-world game and a new comic book. Jones says that's "a different creative process but also just really fulfilling to have a physical thing you can say, 'Look. We made a thing.'"

"I love physical media," Houser adds.

PlayStation killing discs is bad for everyone, whether you care about physical games or not

Remember Craig? The ugly alien brute from Halo Infinite who immediately became subject to droves of online ridicule before eventually becoming a loveable internet meme? Halo: Campaign Evolved has now canonized the horrid internet icon, and perhaps even explained why he looks like that.

There are many hulking brutes stomping around the Halo games, but some fans are now convinced that they've had found Craig himself hidden in the newly-released Halo: Campaign Evolved because A) most brutes aren't completely bald and B) not all brutes are that unmistakably fugly.

In one of the remake's new prequel missions, Master Chief can stumble upon liquid-filled pods containing various brutes who have likely been experimented on by their Covenant overlords. Zoom in closely and you'll see that one of them looks very much like our poor old Craig, sad frown and all.

There you have it, then - Craig isn't ugly because Halo Infinite's first gameplay demo wasn't really ready to be shown off. Craig's ugly because he's the victim of genetic alteration and who knows what else? You bully. How he got out of that pod, survived the entire Covenant-UNSC-Flood war, and eventually became a Banished trooper getting whacked in the face by Chief on a faraway ringworld is still a mystery, however. Perhaps we'll need to wait for another Halo remake, which is looking increasingly likely, to find out the full story.

Halo: Campaign Evolved is still available in early access to owners of the Premium Edition only. The full game launches July 28, so be sure to check out what time Halo: Campaign releases in your region. You can also find information on how to pre-load Halo: Campaign Evolved with our handy guide.

Here's all the Halo Campaign Evolved changes and new features compared to the original Combat Evolved.

It's a very risky time to release a multiplayer video game. The 'live service' scene has become inundated with hundreds of titles trying to replicate the success that a select few established games have found. The likes of Fortnite and Call of Duty still dominate the scene, making it seem impossible for newcomers like Concord or Highguard to break in. That's not to mention the number of legacy games that simply can't sustain themselves with the rising costs of development, including Destiny 2, which received its final update earlier this year.

So much of the video game industry is increasingly dangerous and volatile, but one genre has flourished for decades – MMORPGs. As live service games try to hold onto their share of committed players for longer, the developers of the best MMORPGs have had to find new ways to evolve.

To better understand how, I spoke to the leads of three of the longest-running modern MMOs – Final Fantasy 14, Elder Scrolls Online, and Warframe – to unpack how the genre has changed amidst the landscape of multiplayer games.

Building a world

The MMORPG genre began its rise to prominence in the '90s and many developers have tried to play in the massively multiplayer online space since, but precious few have had any real staying power. It's the games which cleanly carve out a niches, and then double down on serving that fanbases, which have any chance at survival. It's a challenge that Nick Giacomini, game director of The Elder Scrolls Online, is well acquainted with.

"The MMORPG genre isn't going away any time soon. MMORPGs are homes for players in a way that most genres just aren't. It's right there in the name: they're massive. The sheer scale of these games gives you a space to truly inhabit, while the community makes it feel alive," says Giacomini.

"That said, the genre is challenging right now, particularly for new games. Creating an MMORPG is a monumental undertaking, and few new MMOs have been able to break through. And on the one hand, the rise of live-service games has made this more challenging. There are so many incredible games to choose from right now, so why should players choose your game when they have so many amazing options?"

That's a sentiment echoed by Warframe creative director Rebecca Ford, who feels there is a new window of opportunity for MMOs. First launched in 2013, Warframe's slow and steady growth has proven it as one of the juggernauts of the genre, able to carry on where others haven't. It might simply be good timing, but the idea of a game that players can "regularly" come back to, as a sort of daily, weekly, or monthly habit, has become more and more attractive in recent years – especially as the cost of everything goes up.

"There's really no place for confidence in the current ecosystem; nothing is guaranteed. The younger generations of gamers have not been exposed to the dominant MMO era, yet the strongest MMOs still stand. 'Interest' in genres comes and goes, but typically, the interest cycles happen much faster because games and hardware were iterated on more quickly," says Ford.

"This means people stick with their comfort games for longer, and devs can work on the same IPs longer. In another life, Warframe would already be on 'Warframe 4', but the conditions of our evolution mean we did not need to sprout gills, so to speak, to evolve. Other genres have certainly impacted interest, as have development costs."

Legacy MMOs like Final Fantasy 14, Guild Wars, Runescape, World of Warcraft are now ingrained into the fabric of online gaming culture and have established, loyal fan bases. The sheer size and nature of the time commitment MMOs have may, in turn, be the secret to their success. Players have to commit to an MMO to some degree, after all.

"MMOs still have several characteristics that could contribute to longer lifespans. For example, unlike games that run on peer-to-peer connections, MMOs have massive servers containing a tremendous number of assets – not just item and character data, but also game systems like player housing and friend lists," says Final Fantasy 14 producer and director Naoki Yoshida.

"When an MMO becomes a hit success, that boosts the number of long-term players and helps stabilize operations, so I can see how those factors often lead to MMOs having longer lifespans. That said, there are still countless MMOs that rose and fell. In the end, all online services have a common principle: they need to have long-term stability and an entertaining experience in order to endure."

It's no coincidence that Final Fantasy 14, The Elder Scrolls Online, and Warframe are undergoing massive shifts in gameplay or ideas at the moment. In accordance, all three of these developers see some kind of symbiotic relationship with live-service titles. Giacomini notes that live service games are helping the MMO genre by "expanding and normalizing the space," while Yoshida says the "boundaries" between MMOs and other genres are becoming more "ambiguous." The influence live-service games have had may not be obvious or tangible, but it's there nonetheless.

"Today, live service games are mainstream. They've normalized the idea of games as a hobby, a place to hang out with friends, and a world that evolves over time. They've introduced MMO-lite concepts to millions of people who may have never considered themselves MMO players," notes Giacomini.

But the other crucial piece of success to the future of MMOs, stressed by all three of these developers, is a passionate community – but more importantly a community that the dev teams themselves can sort of "work" with. The studios behind Warframe, ESO, and FF14 have all opted for transparency, keeping very little to the chest in favour of constant communication with the playerbase, and an open dialogue on what said players want.

"Our players know exactly what they want. They are our 'boss' at the end of the day, and our game is only ever as good as our last update. From the very beginning, we've been transparent and flexible with them, almost every month for nearly 200 announcement-filled Devstreams," says Ford.

She adds: "If we announce a feature and players hate it, we are prepared to scrap it or work collaboratively with them to find the Goldilocks version that feels right for Warframe. We as creatives will always try to take big swings with new things and cross our fingers that they land well. But if we miss the mark, we are always willing to hear our players out and iterate on the idea into something we all love, as devs and players."

"A balancing act"

There's a fine line to tread between retaining the experience players love, but still being experimental and ambitious enough to try new ideas. With a lack of growth, even a successful MMO can grow stagnant, or fail to attract new players. Change is often a scary word in the realm of tech and games, something that connotes that you're losing something, especially daunting when it's a game you've sunk days, if not weeks and months, of your life into.

But a particular, and noticeable, shift in MMOs has been to accommodate a wider variety of players. But a particularly fascinating part of this is these long-running games having to essentially "age up" with their players. Giacomini assets that, as live-service and multiplayer games continue to appeal to young audiences and new players, longstanding MMOs have had to adjust for players whose lives have quintessentially changed across a decade or two.

"If your design ethos doesn't change over ten years, you're going to get left behind," he explains. "Players who started playing with us a decade ago are at a different stage in their lives now, and we have to evolve to provide them with what they're looking for today. Player expectations have also shifted based on what successful new games are bringing to the table. Trying to make sure that every moment players spend in our world feels worthwhile requires change."

"It's definitely a balancing act. If you push too much unwanted change, the game becomes unrecognizable, and you risk alienating your core players. But if you don't change enough, you become formulaic and risk boring them. MMORPGs feel very different today than when I first started playing over 20 years ago. They're recognizable but fundamentally evolved. And I think that kind of continuous evolution is what innovation is going to look like for successful games in the genre."

Speaking to these key creatives, they've all reached similar philosophies in different ways. Both Ford and Yoshida note that the support and deep involvement of their respective communities is the key piece that keeps these games moving. All three stress the need for 'rewarding' experiences, ensuring the time players invest in their game feels well-spent. The development of each of these games revolves around player feedback, but trying to integrate that with the idea of experimenting and finding things that will surprise even players who have spent 10 years on a game.

Ford points to FF14 as a prime example of a game that's adapting to the needs of players, saying it's great to "see them [the FF14 dev team] focus on what they're good at, like Raids, at large scale." But she also stresses the need for integral change. Ford says there's one crucial way MMOs need to keep experimenting.

"Get weird! Go left instead of right, but always, always be ready to work with your community, not for or against them. Nothing is ever set in stone. Game design trends will always be in flux, whether that be due to advancements in technology or changes to player habits due to things happening in the world or their personal lives," Ford says. "We kind of joke about this. You don't want to see the current Warframe leads – me and Pablo Alonso, our design director – try and make a PVP mode again. Even if players think they want it, we simply aren't good at it, so we can't innovate with hero shooter genre appeal, so we have to try other things!"

FF14 is in the midst of one of those moments, with upcoming expansion Evercold making some of the biggest, most sweeping changes the MMO has seen since its relaunch as A Realm Reborn in 2013. And while Yoshida notes that his approach to developing FF14 has undoubtedly changed over the past decade, in a way, that's secondary to how the studio tweaks the game as a whole. Because the community has become such an ingrained part of FF14's identity, it's more about knowing when to hold off on major changes, and when to push forward.

"For our upcoming expansion, Evercold, I chose to steer FF14 towards 'change' in pursuit of creating even more enjoyment and evolving further. I felt that, in terms of mindset and time, we were prepared to update the gaming experience to be more enjoyable and comfortable for our players and their lifestyles," Yoshida says. "Our lifestyle routines are constantly changing, and the rate of change only keeps accelerating. But making sudden changes to try and keep up with that pace can be harmful to our operations, like how making sharp turns while driving fast tends to lead to accidents. Making these judgment calls is a constant part of overseeing FF14."

However, Yoshida says his approach might be completely different if he was making something from scratch, adding, "Incidentally, if I were to develop a new online live service title from scratch, I'd be challenging myself to tackle completely new game designs and values."

But cutting through all the noise, there seems to be one universal truth to the success of MMOs – something that none of these teams have forgotten even as they try to shift and adjust to changing player expectations. And it's especially attractive in light of so many multiplayer games that lean into short bursts of excitement, battle passes, and an ever-changing experience.

"The industry is more crowded now, but the desire for a world you can live in and escape to is stronger than ever," says Giacomini. "And if MMORPGs can evolve to meet players where they are and ensure the time they invest here feels worthwhile, the genre will thrive for decades."

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The director of Assassin's Creed Black Flag Resynced is looking into adding a challenge system to the pirateventure, like the one Assassin's Creed Mirage eventually got, but he's not promising anything just yet.

Asked about bringing back a series feature that let fans replay missions with new challenges and requirements, in an interview with JorRaptor, game director Richard Knight says he thinks it "would be awesome."

Assassin's Creed Mirage actually got a post-launch update with the same challenge system last year, which offered unique challenges for contracts and black box missions. One challenge might have disabled Eagle Vision for the entire mission or asked you to slide a hidden blade into your main target while going undetected - they were essentially cool modifiers that gave mission replays some extra spice.

"We've looked into this one quite a bit," Knight adds. "I can't promise anything on it just because it exists in Mirage, but it doesn't exist in the modern Anvil [Engine]. So, it's like new tech, right? They do have a solution. We do roughly see how it works, but it's going to take time to understand if it's something we can build or how long it would take."

Part of Knight's desire to add tougher mission constraints and replayable challenges to the stealth game comes from his time on the Hitman titles, a series renowned for those sorts of open, free-flowing, flexible assassination sandboxes. "You know, personally, as someone who used to work on Hitman and has played a lot of Hitman and likes seeing the speedrun timer on screen, I think it's a very interesting way to play a game," he explains. "But, yeah, no promises on that one."

Seeing a similar system implemented into Assassin's Creed Black Flag Resynced isn't entirely impossible. Ubisoft confirmed that a New Game Plus mode is on the way, and the team apparently have a bunch of other DLC ideas as well.

At 3.5 million sales, Assassin's Creed Black Flag Resynced beat Ubisoft's full-year expectations in 2 weeks with "historical" PC performance

A new Final Fantasy 14 Evercold raid has been confirmed, and it features none other than a crossover with the Final Fantasy 7 Remake series.

As part of Final Fantasy 14's Fan Fest celebrations in Berlin, Naoki 'Yoshi-P' Yoshida revealed that an Evercold raid will be called Beyond the Lifestream.

If that's not enough of a hint, that does indeed mean the critically acclaimed MMO is getting a Final Fantasy 7 Remake series crossover.

As part of the reveal, Final Fantasy 7 Revelation lead Naoki Hamaguchi joined the stage to reveal more details. You're getting three tiers, with the first starting in update 8.01. Additionally, there will be three difficulty levels. The standard Normal and Savage difficulties, and a new difficulty that's new to Evercold that's designed to bridge the gap between the standard two.

Additionally, OG Final Fantasy 7 writer Kazushige Nojima is acting as story supervisor to make sure everything fits. Naturally, OG Final Fantasy 7 art icon Tetsuya Nomura is also getting involved.

Somewhat related, though amusing for sure, but we've also found out that Final Fantasy 14's version of the Gold Saucer is getting additional games, like a typing game that's Final Fantasy 7-related to start, of course. Brush up on your vocab, folks. There are outfits to be unlocked, starting with Tifa and Barret's duds.

That's about it for now, but you can expect plenty more details as we get closer to Final Fantasy 14's Evercold expansion, which releases in January 2027.

The Bastion is Final Fantasy 14's first new job for Evercold, a hulking tank with a shield and gun on each arm.

A new God of War game starring dad of war Kratos is already in development at Sony Santa Monica, and it's set to tie in to the events of the upcoming God of War Laufey quite deeply.

Speaking during a San Diego Comic-Con panel attended by GamesRadar+, Sony Santa Monica creative lead Cory Barlog seemingly slips up and mentions that he was recently chatting with "the director of the next Kratos game earlier this week about all the different things that are going on - oh, f***, did I just announce the next Kratos game?"

The Kratos-led God of War game didn't receive a title, an estimated launch window, target platforms, or any firm details, but Barlog did offer some light information: "Kratos is in another game immediately after this [that] directly connects to the events of the Laufey game, but don't say anything about it to anyone," he quips. "The franchise is going in some amazing directions"

"Everything we are doing in the Faye game is a continuation of what came before and to set up and expand what comes next," he adds. "Phranque [the gelatinous cube] has been around since the beginning. It's interesting to see how to build this world out. Everything in the game is setting up for something so amazing."

Just don't expect that next game to drop anytime soon since the studio is still finishing up God of War Laufey, which was also announced to be coming on February 16, 2026. The upcoming PS5 game follows Faye, Kratos' lover and Atreus' mother, who finds herself stuck in an afterlife full of some very hostile gods and visions of her god-killing husband. The game has apparently been in the studio's plans for nearly 10 years, though it intends to also "always tell stories about Kratos."

Sony Santa Monica confirms "God of War Laufey will be available on disc" despite PlayStation's war on physical

Quickly following an action-packed reveal a few short months ago, PlayStation has put a concrete release date on God of War Laufey: February 16, 2027.

Sony Santa Monica creative head Cory Barlog announced the PS5 exclusive's new launch date at a San Diego Comic-Con panel, which was followed by a short and sweet clip posted to PlayStation's official social media that shows a brief golden logo. While God of War Laufey is available to wishlist now on the PlayStation Store, pre-orders and pricing information aren't yet available.

For those out of the loop, God of War Laufey is the first game in the bloody action series to not have main man and titular god-killer Kratos in the driver's seat. We instead follow the wife he lost before God of War 2018's introduction, Faye, as she travels an afterlife for the gods and potentially bumps into deities her lover once butchered. (Awkward.)

PlayStation debuted the game with a lengthy look at its epic opening and aerial combat just earlier this summer, perhaps making a release date of next February quite surprising. And, yes, the studio is also working on a Kratos-focused game coming sometime after.

Despite Sony planning to axe physical disc production the following year, developer Sony Santa Monica have confirmed the game will launch on a proper disc, not a code-in-box.

Next February is also shaping up to be another scarily packed month for new games. God of War Laufey is joining a crowd of blockbusters hoping to find refuge after GTA 6's huge impending launch, which includes Tomb Raider: Legacy of Atlantis (February 12), Persona 4 Revival (Februay 18), and Xbox's Fable reboot (February 23).

God of War's Cory Barlog has been planning Faye's story for a decade, says Laufey director, and her actor has "had to keep this under wraps" the whole time

The first new Final Fantasy 14 job of Evercold has been revealed, and it's a tank called the Bastion that blends high fantasy and mechanical aesthetics.

As part of the European leg of Final Fantasy 14 Fan Fest, producer and director Naoki 'Yoshi-P' Yoshida has taken to the stage once more to continue the drip feed of what's coming to the MMO in its next expansion. In this case, Final Fantasy 14 Evercold.

Back at the American leg of Fan Fest, we found out that Final Fantasy 14 would be getting two new jobs in Evercold – something for tank fans, something for DPS fans. Yoshi-P also revealed that these new classes would be something new to the Final Fantasy series, so no throwbacks here.

Now, we know what one of them is. As part of a new trailer, Square Enix has revealed that Final Fantasy is getting a new tank job that not only has a shield on each arm, but can also fire 'em both off as guns.

Our first glimpse of the new job in action came from an extended version of the Evercold trailer, which opened the Berlin Fan Fest keynote.

While Yoshi-P did appear in his cosplay to further tease the job, we had to wait just a little while longer for some more details, and it was worth it.

We first see a glimpse of some of its moves, blending up-close-and-personal combat with the ability to fire off its weapons from a bit of a distance. From vibes alone, it looks like it'll hit like a truck.

If you're keen to start Evercold as the Bastion, you'll want to make sure you're level 90 and around Limsa when the expansion releases in January 2027. Additionally, as touched upon at the last Fan Fest, this job will use the MMO's new streamlined moveset.

The job news might not be a total surprise to some clever Final Fantasy 14 fans. As is tradition, Yoshi-P teased what jobs were to come with a t-shirt he made everyone aware of at the last Fan Fest. Now, the t-shirts aren't typically an obvious giveaway. For Dawntrail, Yoshi-P wore a Ninja Turtles t-shirt to tease the upcoming artist job. It wasn't to tease that some sort of Ninja job was on the way – that'd be too obvious, and the MMO already has it – rather, the clue was that each turtle is named after an artist.

For Evercold, we got a picture of A Realm Reborn antagonist Rhitahtyn sas Arvina with a 'guess who's back' caption above it. Fans quickly assumed this was leading us to the tank job, with theories ranging from something obvious like a gunshield user to grander theories – like something hammer-based due to Ritahtyn sas Arvina's name translating to "judge" in the Roegadyn language. And, of course, the expansion being Norse themed.

Amusingly, Yoshi-P himself said that some fans already guessed what the jobs were back in Anaheim. Naturally, he didn't confirm which guesses were correct.

Regardless, that's one job down, and some were, of course, correct. When the Japan leg of Final Fantasy 14 comes around, we'll find out the other. Final Fantasy 14's Evercold expansion releases in January 2027.

Final Fantasy 14's Third Walk raid starts with FF11's most infamous boss being bodied in a cutscene because a raid designer wanted to show off the true strength of your first foe.

In a sea of conservative, market-researched games, a group of game development and publishing staff pointed to games like French JRPG Clair Obscur: Expedition 33, co-op adventure Peak, and roguelike card game Balatro as modern demonstrations of the "courage" that games should carry.

"We're moving fast and losing what made us good (creativity, craft & the future)," declared a 2026 DevGAMM Madeira Games Summit workgroup hosted by veteran indie dev and consultant Rami Ismail of Vlambeer fame, as GamesIndustry.biz points out.

Filled with designers, producers, publishers, and other game-orbiting staff, the group, as Ismail put it in a LinkedIn post, examined the "fear" chilling the games industry. In this fearful climate, they looked to four creative pillars: "creating coherence, identifying weaknesses, selling the dream," and "connecting the dots."

"Many of the more fearful reflexes of the industry aim to sand down the rough edges of creative work, creating homogenous and bland works that 'check all the boxes', but are nevertheless (or, consequently) insincere, uninspiring, and uninteresting," Ismail said. "Courage is a consistent factor of most hit titles; in funding, in publishing, in marketing, and in investment."

He added: "The industry’s fear of risk is currently the largest risk it faces."

The thrust, I gather, is to help and encourage more developers and companies to follow the example of games like Clair Obscur, Balatro, and Peak by un-learning the impulse to "make games for everyone" or "chase the algorithm," per GamesIndustry.biz's reporting.

However, there was also notable pushback among the group on the idea of auteur-led development that sees one creative figure dragging teams behind them like cans on string. Rather than a caution-to-the-wind embracement of creativity of all, the group seemed to push brave and sustainable decisions.

"There are too many cowards using all the wrong metrics controlling too many critical levers, and until we figure out how to put people - taste, creativity, and craft - back at the top, we're going to be stuck in the same loop that literally millennia ago people already understood and warned for: that acting from fear begets what you fear," Ismail says on LinkedIn.

This approach to making risk workable comes as many industry figures highlight overdone de-risking in games, particularly in the AAA space, often to the point of outright de-fanging projects in the name of safety or broader appeal.

Just last month, former PlayStation chief Shawn Layden argued that "we've lost a lot of the variety in games" thanks to the "rising cost" to make them. When costs go up, investment risks go up, so large, publicly traded companies often sand off risky elements to improve a project's outlook or try to reach a larger audience. But elements seen as risky are often the secret sauce that makes games fun and memorable, and without it, they may be reduced to a state worse than dead: sauceless.

And let's talk about those costs for a minute. Too often it's implied that these enormous budgets are unavoidable, that games must be this big and expensive (and treading a path strewn with discarded labor, but I digress) and this is just how much it costs to make them. I'm reminded of a quote from Strange Scaffold head Xalavier Nelson Jr, one of the dozens of developers who told GamesRadar+ why they don't want to use generative AI (as it happens, we also spoke to Ismail).

Nelson Jr. rather pertinently said: "For all the people who say it will let us finally make our big games faster and cheaper as the costs go exponentially up, the unspoken decision that has occurred is that rather than ask whether the size of the game is feasible, and whether it provides the thing that is most meaningful for a player, they have decided that the sheer scope is the god of their development process and it must be fulfilled at all costs."

Clair Obscur: Expedition 33, as a more mid-sized AA type of game, has been an especially relevant talking point on budgets. Reports from last year indicated its sub-$10 million budget clocked in around 3% of the likes of Marvel's Spider-Man 2 from Sony-owned studio Insomniac Games.

Former PlayStation boss Shuhei Yoshida says $200 million AAA budgets mean publishers greenlight fewer games: "Something that has to be done."

Sony's Playstation Store and PlayStation Network are down for many users, making purchases and some games and features unavailable.

PlayStation status detector reports "all services are experiencing issues" for both the US and UK. The issues began around 10:19am EST, according to a footnote in the status detector. Ol' reliable, Downdetector, shows the same.

When Sony says all services, it means it. On every platform, from PS Vita to PS5, the ability to purchase, download, browse, search, or redeem games is looking wobbly. Sign in, account details, PlayStation video apps, gaming trophies and widgets, and, perhaps most obviously, streaming may also be affected.

GamesRadar+ UK staff have ran run issues of our own, though some US writers have lucked into functionality. I was somehow able to claim and start a download for Crosscode, one of this month's PS Plus freebies, and a game everyone should play.

"You might have difficulty getting products on the PlayStation Store," Sony's official disclaimer reads. "We're working to resolve the issue as soon as possible. Thank you for your patience."

This, of course, comes on the heels of the news that Sony will end support for physical PlayStation games in January 2028. Among the many, many concerns around the move, an especially relevant one is the fragile nature of all-digital platforms and how outages or connectivity issues can obstruct access to games.

Provided there's no login wall – another wonderful tripping hazard of modern gaming, most recently demonstrated by Halo: Campaign Evolved – the only way a server crash will break a physical game is if that server stack lands on the disc and shatters it. But digital games are beholden to their platform holders, and those platform holders are powerless before the ruler of ethereal spaghetti code, culprit of all technical issues.

All PS5 error codes explained, with fixes and solutions

Bethesda has rumbled back to life. Nearly three years after Starfield and with The Elder Scrolls 6 nowhere in sight, the positive reception to the announcement of the Fallout 3 and New Vegas remasters is hardly surprising. With the help of Obsidian, between 2008 and 2011 Bethesda cemented itself as the rightful king of the open-world RPG, Fallout 3 and Skyrim bookending the kind of development run we'll probably never see again.

A long-awaited return to the Capitol and Mojave Wastelands is welcome, but while these remasters aren't quite too little, too late, they serve as a reminder of just how neglected one of the biggest and best RPG series has become.

This November will mark 11 years since Fallout 4, with Fallout 76's eighth anniversary falling just a couple of weeks before. And until last week, there was nothing to suggest another game was anywhere close to the horizon – based on Bethesda's previous release cadence, 2033 was a solid guess for a potential Fallout 5 release year. That's not far short of two full decades since the series' last traditional, single-player RPG launch – an unforgivable drought for a series that has over the past few years, been transformed into a mainstream, global franchise thanks to the critically-acclaimed Amazon Prime series.

In the last week, admittedly, the Fallout slate has filled up significantly. First up will be next year's "prequel story to Fallout 3" heading to Fallout 76. The Fallout 3 and Fallout New Vegas remasters seem likely to follow relatively soon after, potentially positioned around Fallout season 3 and the Fallout Shelter show. Fallout 5 is officially in pre-production, but could easily follow as many as five years after Elder Scrolls 6, which still feels a long way off. Obsidian's new Fallout project seems likely to plug that inter-franchise gap – perhaps some time in 2029 or the early 2030s.

Kick in the head

It's that last project that's currently most mysterious, but also the clearest indication of what Fallout and Xbox actually need: help from the wider ecosystem. Xbox and Zenimax are full of studios that could have, over the six years since the acquisition, been running wild in the franchise playgrounds that are currently open only to Bethesda. Clearly, the kind of AAA, open-world RPG that Todd Howard wants to make takes many years to complete, but I see no reason why no other studio has been allowed to do more than sniff in the direction of the Fallout and TES brands.

The possibilities are huge; a stealthy, Dark Brotherhood immersive sim made by Arkane Austin instead of shuttering it after Redfall; a Ghoul-led game using the State of Decay tech from Undead Labs, which just got sold off; an Age of Empires conversion from World's Edge, which has been diligently plugging away on DLC and remasters for that franchise. Xbox's affinity for beefy guys with guns across the Gears, Doom, and Halo series could have led to an amazing power armor shooter. There are certainly studios whose work doesn't mesh with Bethesda's oeuvre so neatly, but within the Xbox ecosystem, they're surprisingly few and far between. And all that is to say nothing of Obsidian, a studio that not only made one of the best Fallout games, but eventually took its fate into its own hands and made Avowed and The Outer Worlds as its own answers to The Elder Scrolls and Fallout.

That none of those studios have been given a Bethesda license is a mistake, but it's a mistake compounded by the fact that Bethesda isn't equipped to handle them at the pace that should be required. Its two most important IPs have been left to languish for more than a decade. Starfield is a primary cause for that, but so is Bethesda's size. The studio has remained deliberately small by the standards of a major studio, and at about 450 staff isn't capable of being a two-game studio, especially since switching between three different franchises means it can't pull off the kind of juggling act that the similarly-sized Insomniac - which has launched a whole suite of Marvel games over the time since Fallout 76 – has been able to achieve.

A hit of Jet

It's likely that the Fallout release cadence will pick up now. The remasters are the start of that process, and the Obsidian game and Fallout 76 expansion will help. But while Xbox's recent deluge of lay-offs have hit hard, the fact still stands that the publisher is sitting pretty on some of the industry's highest profile RPG brands and what remains of the studios that created them. With only the likes of CD Projekt Red as major competition, the question is whether new Xbox chief Asha Sharma will be able to do what predecessor Phil Spencer couldn't, even as the company haemorrhages staff. If CDPR is able to push out three major RPGs in quick succession, could the much larger Xbox be in a position to follow suit instead of squandering the opportunity? Or, is such a massive entity prone to slow manoeuvring, like trying to turn a Brotherhood of Steel zeppelin?

But, whether or not that all comes to pass, it doesn't change the fact that as a gaming series Fallout has been left behind by its creators for far too long, and no number of remasters will help speed up the ongoing wait for its next major iteration, especially as the years tick on.

The Elder Scrolls Online is struggling with "team bandwidth" after Xbox layoffs hit Bethesda and ZeniMax, leading devs to limit a store for in-game items.

Once you give players an ability, you really can't control how they use it. People can do whatever they like with a photo mode, as the devs behind Assassin's Creed Black Flag Resynced have discovered due to the amount of feet pics they've seen.

"There's just nothing like having one million or two million players playing a game at once that you can't replicate. The feet pics were very surprising," Richard Knight, game director on Assassin's Creed Black Flag Resynced, tells JorRaptor. "That's kind of what photo mode is there for – to take really interesting, sometimes unusual, photos."

I'm not surprised – internet loves doing things for the bit, and bizarre, slightly lewd photographs emerging from a new Assassin's Creed game is the exact kind of tomfoolery that goes over very well.

But I'm far too innocent for such things, because my most in-depth experience with photo mode was in Insomniac's Spider-Man games. I loved swinging around and making fake comic book covers. I've made dozens of them across the three installments.

Obviously, that's the wrong line of thinking. Pictures of Spider-Man are out, pictures of feet are in, apparently. "I never would have expected that one," Knight adds.

I have to imagine someone on the team thought it was a possibility, but what are you going to do? Restrict people's creativity? You've got to just let people do what they do, that's the real adventure of life.

At 3.5 million sales, Assassin's Creed Black Flag Resynced beat Ubisoft's full-year expectations in 2 weeks with "historical" PC performance.

Oblivion Remastered and Final Fantasy 7 Rebirth have been found dead in a puddle of T-virus – the Resident Evil 4 remake from 2023 has sold 16.8 million copies across all platforms, and games industry researcher Alinea Analytics infers that makes it the best-selling remake of this console generation.

"It’s also among the most successful single-player horror games in history," says market analysis lead Rhys Elliott in a Substack breakdown of the best-selling game remakes and remasters since 2020, "generating $560M in gross revenue for Capcom so far across the three platforms, split 53.1% PlayStation, 34.1% Steam, and 12.8% Xbox." Resident Evil 4 remake's competition comes nowhere close.

In terms of total copies sold, Resident Evil 4 is followed by 2023 remaster Ark: Survival Ascended, which moved a total of 7 million copies. The Last of Us Part 1 remake sits behind it with 6.3 million sold, while Oblivion Remastered, the Dead Space remake, and Final Fantasy 7 Rebirth lag in the race with a total of 4.5, 4.3, and 4.2 million copies sold, respectively.

Bloober's Silent Hill 2 remake from 2024 is the worst best-seller according to Alinea, with a total of 3.2 million copies sold – though, as a huge fan, I'm at least placated by the suggestion that millions of people have now been exposed to buff Pyramid Head.

Elliot suggests, out of all these still very popular titles, Resident Evil 4 might have been especially suited to the new, industry-wide hobby of swanky remakes because "it's revered enough to guarantee demand and old enough that the remake feels new."

But the obvious flaw with this conclusion is that it applies to multiple titles in Alinea's collection of best-selling remakes. Silent Hill 2, for example, is even older than Resident Evil 4 and similarly revered, while Oblivion released around the same time as Resident Evil 4 and seemed to sell at a similar pace; contemporaneous reports estimate Resident Evil 4 sold 3 million copies within a year from launch, while Circana analyst Mat Piscatella said in 2025 that Oblivion Remastered outsold the original game's first 15 months on the market, which likely also existed in the realm of 3 million (2006 reports say Oblivion had already sold 1.7 copies by the end of its first week).

So what's really so special about the Resident Evil 4 remake? Well, Capcom's sales – you can currently purchase the game on Steam for $9.99 instead of $39.99, whereas Silent Hill 2 is currently $27.99 on sale, and Oblivion is an unrepentant $49.99. Elliott says, "Steam's share of total Resident Evil 4 revenue has grown from 28.0% in launch week to 34.1% today. There’s that Capcom catalogue flywheel again – a game earning a bigger slice of its lifetime revenue years after release, at the low end of the price curve (in markets consoles barely reach)."

Then, there's the irresistible charms of a formative game like Resident Evil 4. It has something for every player – revolutionary third-person shooting, a girl named Ashley, and parasites that look like someone sneezed on the floor. I, personally, couldn't imagine wanting anything more.

Only 7 PlayStation games have sold over 100,000 physical copies in the US this year, says analyst, as commenters demand discs without buying them.

Sega president Shuji Utsumi has promised fans of the Persona series that the teaser trailer for Persona 6 is just the start of what he believes will be a "truly memorable year" to celebrate the series' 30th anniversary. While Persona 4 Revival will be another hype moment for fans, Utsumi hints that there are more reveals on the horizon.

In an interview with Famitsu, that's been translated by GamesRadar+, Utsumi expresses how he's "very confident" that fans will be pleased with what Sega has planned for the series' 30th anniversary. A spin-off from Atlus' already popular Shin Megami Tensei series, Revelations: Persona added more of a narrative focus and emphasis on the character's relationships than its beast battling predecessor.

Originally released for the original PlayStation in 1996, the series has evolved well beyond its isometric pixel art roots. If you've only played the series' newer titles you might not be aware that it didn't always feature a spicy UI and ranked high school relationships.

As 2026 is the 30th anniversary of this game, it seemed natural that Sega would announce the next mainline entry in the series, the long-awaited Persona 6. "I think we were able to announce a truly memorable year for Persona's 30th anniversary," Utsumi says. "Hype for the series has been built by Persona 6's reveal.

"And I think Persona 4 Revival will spark fan excitement again," Utsumi continues. "I'm sure everyone will feel the same way, and I'm very confident we'll give the Persona series the lively 30th anniversary celebration it deserves."

Persona 4 Revival seemingly features more scenes with Marie, fuelling hopes she'll be integrated better than in Golden: "If they do that, the remake will have fulfilled its purpose."

The Halo Campaign Evolved Skulls and Terminal found in the first level, The Pillar of Autumn, aren't too difficult to find, for the most part. The main issue is that a couple of Skulls are found so early in the game that you'll no doubt run right past them the first time you play. So, to help you find them quickly, I've explained exactly where to find the Terminal and all Skulls in the first level of Halo Campaign Evolved below.

Halo Campaign Evolved Pillar of Autumn Skull 1

From Rally Point Alpha, the start of the level.

At the very start of the level as soon as soon as you have control over Master Chief, turn around and head over to the two large, round containers towards the left side of the back of the room. Climb on top of these containers, then jump across to the nearby upper walkway. Walk to the other end and you'll find the Speed Limit Skull.

Halo Campaign Evolved Pillar of Autumn Skull 2

From Rally Point Alpha, as soon as the marine says Cortana needs you at the bridge.

The next room the marine will lead you into is an armory, and the Magnified Skull is on top of the central weapon rack near the middle of the room.

Halo Campaign Evolved Pillar of Autumn Skull 3

From Rally Point Bravo, after the cutscene where Master Chief meets Keyes at the bridge.

After this cutscene finishes, turn around and head back into the bridge. Go to the main control area with the glass canopy and the two pilots in their chairs and drop down into the floorspace below them. This is where you'll find the Perspective Skull, and there's a ladder you can use to get out.

Halo Campaign Evolved Pillar of Autumn Terminal

From Rally Point Charlie, when going through the upper cryo room with the cracked windows.

You'll know you're in the right room if Cortana says, "it looks like the Covenant wanted to catch you napping". From here, carry on through the next door, then immediately turn left to find another open door leading into another room with red lights and lots of screens. The Approach Terminal is at the far end.

Finding all these collectibles also takes a while, so expect it to add a few hours to how long it takes to beat Halo Campaign Evolved. If you've played Halo CE in The Master Chief Collection, you will have noticed that all the Skulls are in completely different places to that, which is one of the many Halo Campaign Evolved changes.

This Halo 1 remake is out now in early access but the full Halo Campaign Evolved release time is still to come. In the meantime, make sure you've got your Halo Campaign Evolved pre-load sorted.

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Halo: Campaign Evolved might be a remake of one of the best shooters to ever do it, but that doesn't mean it's entirely bullet proof. On Steam, the remake has debuted to an average 'Mixed' rating thanks to player complaints of crashes and server login issues that temporarily stopped people from playing the campaign-only game.

For context, Halo: Campaign Evolved launches in full on July 28, but owners of the $70/£70 Premium Edition get to skip the queue and jump in five days early. Despite paying extra, those fans have maybe been given the short end of the stick if user reviews are anything to go by.

At the time of writing, about 32% of Campaign Evolved's 1,666 Steam user reviews give it the thumbs down, with many reviews citing semi-frequent crashes and problems even connecting to the game's servers in the first place.

"Yes the game just came out, but it shouldn't be a trend for a game to always come out severely broken," one player writes. "Call me a boomer, but I miss when games came out in a playable state without patches needed."

"Login failed," another states. "Cannot play the single-player game as servers are overloaded. Screw your DRM." Halo Studios actually responded to that user review by promising that login issues should now be fixed, and judging by the almost 20 hours the fan has on record, it seems server issues are a non-issue for now.

Still, some other fans took issue with the fact that Halo: Campaign Evolved requires a login and a connection at all. The game is playable start-to-finish in online co-op, but there's no real reason why Spartans who prefer to go in solo should have to connect their Microsoft accounts before even reaching the main menu.

Technical issues and a bumpy launch aside, players who aren't being interrupted by crashes seem otherwise happy with the classic game's second remake.

"Finished the prequel missions. Barely any problems whatsoever, and so far it's been refreshing playing a "new" Halo game again," one fans says of the new three-mission arc.

"Well – it's Halo 1's campaign, but with a new coat of paint on top and some interesting and fun tweaks to mix up the gameplay, with the most comprehensive set of skulls the series has ever seen that offer tons of replay value," a second player explains. "Really, that's all I think needs to be said to justify the recommendation here."

GamesRadar's Halo: Campaign Evolved review had similarly good things to say about the remake, even if the package as a whole also felt like "a wasted opportunity for Halo Studios to put its own spin on a classic."

Want more? A secret Halo: Campaign Evolved ending strongly hints that another Halo 2 remake is in the works – "See you in the sequel."

It seems like things are looking up for Final Fantasy 14. After Dawntrail led to players gradually pulling away from Square Enix's MMORPG, new data suggests many are now returning, in anticipation of upcoming expansion, Evercold.

The information comes from Japanese outlet Lucky Bancho, which regularly posts numbers related to the MMO's overall playerbase. According to these numbers, since March, Final Fantasy 14's number of active players has grown to over one million, to a grand total of around 1,020,000.

That's a good sign, and a decent jump from Lucky Bancho's last survey of the userbase in March, where the numbers for those actively playing were closer to around 770,000. It's mentioned that some 80,000 new accounts have been started as well, double the 40,000 of the previous datapoint, suggesting more people are beginning their journeys through Eorzea.

It's been a long time since the MMO came close to one million, according to the site's numbers. It recorded 990,000 active players in March 2025, over a year ago.

These insights are built through looking over public information on achievements and the like. It's not the most accurate because it doesn't include private accounts and doesn't differentiate among people who have multiple accounts. But it's a good ballpark estimate that can give us some insight into the overall health of the game.

There have been concerns following the negative reception to Dawntrail over the future of Final Fantasy 14. One bad expansion isn't a death knell for a game that's already been going well for over a decade now, but a consistent drop in players is enough to cause some anxiety.

But anticipation is growing for Evercold. It arrives in early 2027, and kicks off the Godless Realms Saga, marking a new era for the MMO. There's even an Evangelion crossover on the way. The future is looking bright, as it tends to under the watchful eye of director Naoki Yoshida.

Final Fantasy 14's Third Walk raid starts with FF11's most infamous boss being bodied in a cutscene because a raid designer wanted to show off the true strength of your first foe.