When it comes to deciding what the best shows on Hulu are, it can be difficult to know where to begin. There's no shortage of original series on the streamer, after all, with new star-studded shows being added every month. But that's where we come in. We've narrowed down everything the platform has to offer and narrowed things down to the 17 titles that should be added to your watch list.
Whether you're looking for hard-hitting drama like dystopian series The Handmaid's Tale or crime drama Under the Banner of Heaven, or want to binge-watch an underrated comedy like High Fidelity or Shrill, we've got you covered. So, sit back, relax, and get stuck into our picks of the best shows on Hulu.
Reservation Dogs
The show: Four Indigenous teenagers in rural Oklahoma are grieving the death of their friend, who passed away a year before the series kicks off, and dreaming of a new life in California. There are two seasons of the comedy-drama so far, with a third and final installment releasing this year.
Why it's worth a watch: Dealing with friendship, grief, family issues, finanical struggles, and missold dreams, the themes in this series are universal – but delivered with a whole load of humor and charm. The show is also the first series to feature all Indigenous directors and writers.
The Great
The show: Another historical comedy-drama that plays fast and loose with the facts from The Favourite screenwriter Tony McNamara, Elle Fanning plays the woman who would go on to become Catherine the Great while Nicholas Hoult is her husband, the sadistic (and moronic) Emperor Peter III.
Why it's worth a watch: Hoult and Fanning have great chemistry – and great comic chops. A mixture of satire, sex, and bloody battles makes this a compelling watch, and the awards bodies agree, too – it's been nominated for four Emmys and six Golden Globes, with both Hoult and Fanning's performances garnering recognition.
Fleishman is in Trouble
The show: Jesse Eisenberg stars in Fleishman is in Trouble, a new series based on the novel of the same name by Taffy Brodesser-Akner (who also serves as showrunner). Eisenberg plays Toby Fleishman, a 40-something doctor who has recently gotten a divorce from his wife of 15 years, Rachel (Claire Danes). As he struggles to get back into the dating scene, get a promotion at work, and raise his kids, his ex-wife disappears without a trace.
Why it's worth a watch: The show doesn't follow the typical narrative format, instead, the breakdown of Toby and Rachel's marriage is observed and narrated by Libby (Lizzy Caplan) – an old friend and journalist who sees something interesting in their story. Her hunch proves true once Rachel vanishes, and the third-party perspective gives an outsider's view, letting the audience draw their own conclusions.
Marvel's Runaways
The show: Another comic book adaptation, but this one has a twist: the heroes in this story are the children of certified bad guys, who decide to rebel against their evil parents.
Why it's worth a watch: So many reasons. One of the Runaways is a goth whose superpowers are spooky Wiccan business, Buffy the Vampire's Spike is in it - playing evil DILF Victor Stein - and there is an actual dinosaurs character called Old Lace. Starting to make all Netflix's Marvel adaptations look about as exciting as two weeks in Omaha isn't it? Sure, the cast might all be wrinkle free and young enough to get carded when they try to buy beer, but don't hold that against them.
Shoresy
The show: From Letterkenny creator Jared Keeso comes a new hockey comedy about everyone's favorite foul-mouthed, chirp-serving, mother-loving athlete who joins a senior AAA hockey team in Sudbury on a quest to never lose again.
Why it's worth a watch: Shoresy is arguably the best thing about Letterkenny, with his unrelenting chirps and ability to insult like no other. The spin-off show is a love-letter to the character, putting an actual face to the infamous name and giving us a look at who he really is beyond the muscles and 'Your Mom' jokes. It's fun, heartwarming, and laugh-out-loud hilarious.
Difficult People
The show: Julie Klausner and Billy Eichner play two friends who hate everyone in the world, except each other, and are more than happy raining verbal acid down on anyone who gravitates towards them. Come for the struggle of comedians trying to make a living in New York, stay for the withering insults.
Why it's worth a watch: For the witty writing, Tiny Fey appearances, and an episode surrounding a beaver who sings toilet tunes. In the real world you'd be terrified to have Julie and Billy as friends - unless you possessed Charlize Theron levels of confidence and poise and skin thick enough to repel bullets - but in this show you can laugh along with them without fear. If the show had a motto it would be: "Our lives are garbage and it's the world's fault."
Dollface
The show: Jules, a web designer at a wellness company called Woom, uses her own imagination in order to literally and figuratively cope with the end of a long-term relationship and rekindle the female friendships she neglected for years.
Why it's worth a watch: Kat Dennings, Brenda Song, Shay Mitchell, and Esther Povitsky are a fun, hilarious ensemble. Plus, there's a character named Cat Lady who is literally a human woman with a cat's head. What's better than that?
High Fidelity
The show: Robyn 'Rob' Brooks owns a record store in Brooklyn, is obsessed with pop culture, and is frequently unlucky in love. Rob’s romantic life is told through a series of ‘heartbreak stories,’ beginning with the boy who broke her heart in middle school.
Why it’s worth a watch: It’s a fresh spin on both Nick Hornby’s 1995 novel and its 2000 John Cusack-led adaptation. Cusack’s Rob was charming and hopeless, while Zoe Kravitz’s Rob is a little less heartthrob-y and a lot more grounded in reality. She’s a skeptic and curmudgeon, but she means well – and you can’t help but cheer her on.
Shrill
The show: SNL's Aidy Bryant plays Annie, who has an epiphany that she can have the life she wants, it's not contingent on her losing weight, and anyone or anything that makes her feel that way is BS.
Why it's worth a watch: Based on the book by Lindy West, this is a joyous celebration of sticking a middle finger up at people's expectations and living your best life. You'll fall in love with Annie instantly, and as a result, hate all the people in her life that try to make her feel crappy. Her awful boss at a hipster Portland alt-weekly, her mother, a bitchy personal trainer who accosts her in a coffee shop, her boyfriend who is such a dumbass he's at risk of choking on his own tongue. This isn't misery porn though, there's utter vicarious delight as she builds her confidence and hangs out with her amazing friends.
Under the Banner of Heaven
The show: Jeb Pyre, an LDS church elder and local detective, has a crisis of faith while investigating the gruesome murder of a young mother and her infant daughter.
Why it's worth a watch: The fictional series is based on Jon Krakauer’s nonfiction true crime book of the same name, which chronicles the murder of Brenda Wright Lafferty and her daughter at the hands of Ron and Dan Lafferty – her husband’s brothers. While Jeb Pyre’s crisis of faith is used as a sort of narrative arc to keep the plot cohesive, it also helps illustrate the crime’s cruel, horrific nature and give a voice to the victim – the latter of which is often forgotten in true crime.
Pam & Tommy
The show: It’s a biopic miniseries that chronicles the marriage of Baywatch actress Pamela Anderson and Motley Crue drummer Tommy Lee – and the notorious release of their unauthorized sex tape.
Why it's worth a watch: Lily James shines as Pamela Anderson, really capturing the star’s charm, wit, and sex appeal, and reminding us why we fell in love with her in the first place. The series is funny and downright absurd at times (Lee’s penis is anthropomorphized as its own character), but also warm and heartfelt in its depiction of Pam’s own personal trauma.
Only Murders in the Building
The show: What do a semi-retired actor, a financially struggling Broadway director, and the female friend of a young murder victim all have in common? An obsession with true crime. After a suspicious death in their affluent apartment building is ruled a suicide, the three decide to start their podcast about the investigation.
Why it's worth a watch: The series stars comedy greats Steve Martin and Martin Short, who are joined by a funny and refreshing Selena Gomez. While it might seem like an odd ensemble, the three bounce off each other without effort and really bring the laughs. It’s a fun approach to the otherwise bleak subject of true crime and is unlike anything else on TV.
PEN15
The show: Life as a teenage girl is hilarious, once you've actually managed to survive it. Comedians Maya Erskine and Anna Konkle play their younger selves in this show about trying, and failing to be cool, and female friendship.
Why it's worth a watch: PEN15 is one of the more honest depictions of life as a teenager. Maya and Anna swap between playing Sylvanian families in the privacy of their bedrooms to sneaking sips of beer at the cooler girl's house, from talking about the boys they're crushing on to trying to solve all racism but it's never worthy, just funny. Occasionally there are moments of poignancy that'll have you craving the smell of Impulse body spray and Marlboro Lights, but mostly you'll just be laughing.
The Bear
The show: Carmy (Jeremy Allen White), a young chef from the world of fine dining returns to Chicago to take over his family's Italian beef sandwich shop following the passing of his older brother.
Why it's worth a watch: It's stressful, and we mean that in the absolute best way. Carmy is tasked with turning a rundown kitchen full of ordinary line cooks into top-of-the-line professionals, all while dealing with familial grief. Some of the tensest moments take place in the kitchen, when all the pressure is on Carmy and the staff to churn out the perfect dish – and it'll have you yelling at the TV screen like you were watching sports.
The Dropout
The show: Amanda Seyfried plays Elizabeth Holmes, founder of disgraced biotechnology company Theranos, in this drama that tells the story of the CEO’s epic rise and fall.
Why it's worth a watch: Seyfried’s Holmes is delightfully bizarre. She also nails the CEO's exaggerated voice, which Holmes put on in front of employees and during interviews in order to appear less feminine and be taken 'more seriously.' Overall, it's a gripping drama that depicts one woman's intense obsession with becoming the next Steve Jobs – and the dangerous lengths she'll go to achieve it.
Castle Rock
The show: A supernatural mystery set in Castle Rock, a small town that sits squarely in Stephen King's fictional universe. The tale of two men, Henry Deaver - who disappeared without explanation as a child in Castle Rock - returning home and of another - a pale stranger found caged in the bowels of Shawshank Penitentiary - it's full of twists and turns and King Easter eggs.
Why it's worth a watch: There's more on offer here than just a game of spot the references, as Castle Rock snares you in a net of different plot threads, tightening them just enough to keep you coming back. Just when you think you know who "the kid" - the pale captive from Shawshank - is, you're sent off on another trail trying to figure out why our hero Henry disappeared in the night decades previously. Stephen King is the master of the small town story, and the references to Cujo or The Shining help to make this feel familiar, like a trip back to your own hometown. Just a hometown where things have gone very, very wrong.
The Handmaid's Tale
The show: Dystopian fiction that at times feel uncomfortably familiar, this series follows a Handmaiden in the fictional American state of Gilead. Despite the innocent sounding title, a handmaiden is a woman forced into captivity, regularly sexually assaulted, and forced to act as a surrogate for a powerful man, a perverse reaction to falling fertility rates and some very literal readings of the bible.
Why it's worth a watch: The subject material will leave you reaching for the gin, but there's no faulting the tension, drama, and clever timeline shifts of this feminist fiction. The story expands on the source novel to give you a sense of life in Gilead, and how a modern America we know now could possibly slide into such religious and moral madness. It's a world where women are second-class citizens, whether they're sex workers, wives, the lauded but abused Handmaidens or classed as a deviant. It's terrifyingly believable, delivering a slow burn dread that will haunt you and a career-defining performance from Elisabeth Moss.
You can also fill out your watchlist with our guide to the best Netflix shows streaming now.
