At any games show there are always a handful of titles that are so impressive they fuel an excitable word-of-mouth buzz that rises above the raucous din of the showfloor. And things at Gamescom are no different. We've seen an absolute ass-load of games since we arrived, but we're only talking obsessively about a select few of them. And after chatting with other show-goers, it's pretty obvious which games have had the most impact and left a ... » Read More

23 Apr 2008

Mafia II: The Interview

PS3 Feature | Mafia II

We've covered Mafia II extensively over the last week, unveiling all sorts of exclusive new tidbits about the swank 1950s crime drama - but the real highlight was getting to chat with 2K Czech's Daniel Vavra, the game's writer and director, via e-mail. Vavra's script for the original Mafia: The City of Lost Heaven helped win the game critical acclaim and a cult following; with the sequel poised to dwarf it in size, scope and pretty much ... » Read More

11 Apr 2008

Mafia II: Meet the goons

PS3 Feature | Mafia II

As we've pointed out ad nauseam in our coverage of Mafia II this week, the first Mafia set a high bar for storytelling in GTA-style crime games. Assuming it follows through on the standards set by its predecessor, Mafia II will likely be as much about the complex relationships between its deeply flawed criminal leads as it will be about shooting mooks in the face and blowing up storefronts. To give you an idea of what you can expect from this 1940s-'50s mob drama, here's everything we know about the game's main characters so far: ... » Read More

10 Apr 2008

Mafia: the story so far

PS3 Feature | Mafia II

Mafia opens in 1938, as gangster Thomas Angelo arrives at a little diner to meet with an Irish cop named Detective Norman. Tommy's come to Norman to ask for police protection for himself and his family, but Norman - abrasive and impatient - scoffs at the idea. Tommy insists that he doesn't expect something for nothing, and that what he knows can help bring down a notorious mob boss named Salieri. Norman, still skeptical, demands to hear the ... » Read More

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