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Made in 1960, the first big-screen outing for Patricia Highsmith’s talented Tom Ripley introduced audiences to one of crime fiction’s great anti-heroes – and made a star out of Alain Delon.
The shape of the plot, in which Ripley schemes to usurp the identity of a wealthy acquaintance, will be familiar if you’ve seen the 1999 version .
Yet René Clément’s take offers its own pleasures, from the sun-bleached lensing to Delon’s charisma.
Tempering Hitchcockian intent with the experimentalism of the French New Wave, the result is as seductive as it is suspenseful: a bracing study of amorality.
The ESA says its members won't support the one form of game preservation that might actually work
Avengers directors compare Millie Bobby Brown to Tom Holland as they tease her "fantastic" performance in new graphic novel adaptation which reunites them with Endgame team
MTG Cowboy Bebop cards aren't Japan-exclusive after all, but you may still struggle to get them