Last question, and it's from Adie Astill. Were you surprised to get the director's chair for
Not really, it was sort of a natural progression, I had been talking to Marvel for a long time on various projects that didn’t come through and I’ve known Kevin for a long time, we’re very compatible.
It just sort of made sense, I didn’t realise when I came in to talk about it, that I was even considering it or they were considering me.
It was more like they knew me and I was there to read the script and give them advice. Which I did, ‘chuck it’.
Then gradually after a few days, ‘Oh wait a minute, this seems to be happening.’
It makes sense because I’ve been working for a long time, it makes sense because it’s the sort of thing I do.
And it makes sense because Marvel, very wisely, give the projects to those who the experience will be a game-changer because they get someone with a vision that’s a little bit different and they don’t have to pay them that much.
Favreau, Branagh, myself – we’re all in a different sphere before and after and that’s useful and I think each one of them brought something very personal to their movies and I’ve definitely been able to do that with mine.