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Blame Michael Flatley for this post-Riverdance documentary about hoofing children heading to Glasgow for the 40th Irish Dancing World Championships, each with hopes of becoming the year’s finest high-kicker.
Yet while it’s easy to sneer at the tweens and their scary parents, you can’t ignore their dedication to their dying art, nor their kinetic energy.
Ping-ponging between Ireland, Holland, Russia and Essex, Sue Bourne’s pic could have used clarifying narration.
Once the contest begins, though, her film’s as gripping as Spellbound and as enjoyably kitsch as Eurovision.
Steam changes its refund policy so that pre-order early access playtime now counts towards the 2 hour rule
Quentin Tarantino's scrapped 'final' movie would have reportedly brought back some of his iconic characters in a "movie within a movie"
Samsung’s brand-new 2024 OLED TV has already dropped in price, and it’s begging to meet your PS5
