Director John Erick Dowdle’s (
) first-person fear ride may feature wobbly wailings and calamitous cameramen, but before you write off
As Above, So Below
another found-footage horror, it’s at least trying something new.
As much action adventure as horror, this tale of a female archaeologist (Perdita Weeks) who bumbles through a portal to hell in the catacombs of Paris boasts sporadically electrifying visuals but a frustratingly messy mythology. Not as scary as The Blair Witch Project or as claustrophobic as The Descent , AASB is an admirable Indiana Bones misfire.
Log in using Facebook to share comments, games, status update and other activity easily with your Facebook feed.